A Rudyard Kipling Dictionary

Excerpt from A Dictionary of the Characters and Scenes in the Stories and Poems, of Rudyard Kipling, 1886-1911 It was my original intention, when a Kipling Dictionary in this series was mooted, to have confined the scheme to brief outlines of the plots and bare records of the names and personal characteristics of the author's men and women. Before the compilation had been begun, it was borne upon me that the semi-jubilee of Mr. Kipling as an English writer who appeals to every class, not only at home and in the English-speaking lands overseas, but also in many foreign countries, was a fitting occasion to gather together as many facts and as much information about his works as might be possible. The task has not been easy. Mr. Kipling has written of five continents, during residence in four, and has actually published in three. I can hardly hope that my net has been spread sufficiently wide or that the mesh has been fine enough to catch everything, and if I have included aught that is not from the author's pen, or have omitted anything, I hope those better informed than myself will afford me that assistance which will help me to make the record more complete and accurate than I have made it. The Introduction furnishes a sketchy survey of the books as a whole, with notes on a variety of matters which appear to bear upon Mr. Kipling's collected work, such as serial publication and the illustration of the stories and poems. The Dictionary proper comprises nearly four thousand entries, of which no fewer than six hundred and thirty are titles, each being distinguished by a numeral prefix, which further affords clues to references in the Subject Appendix at the end of the volume. For the convenience of students and searchers the first lines of the poems are included, and italics have been employed wherever a title has been mentioned in the text. Addenda: June-July, 1911 Since the Dictionary has been compiled three new titles have been published and are included here, but not in the body of the book: - The Declaration Of London. Five stanzas in the Morning Post of June 29, 1911, beginning We were all of one heart and one race. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.