A Routledge Literary Sourcebook On The Poems Of John Keats

John Keats was one of the central figures of English Romanticism and is still one of England's most popular poets. This sourcebook brings together texts and documents that provide a gateway towards an understanding of the man, his life and his work.

This sourcebook offers the ideal introduction to the work of John Keats, a central figure in English Romanticism and one of the most popular poets in the literary canon.The sourcebook is arranged in four sections: Contexts, Interpretations, Key Poems and Further Reading. Each combines clear introductory passgaes with relevant reprinted documents. Key features include:a chronology of Keats's life and excerpts from his lettersan overview of the criticism of his work, from early responses to important recent essaysCross-referencing throughout the volume highlights the links between texts, contexts and reception, enabling even beginners to make original and informed readings of Keats's époque-changing work.excerpts from a range of critical texts, with explanatory headnotesextensively annotated full texts or key passages from Keats's most widely studied poemshelpful recommendations for further reading.

Table of contents

Whether read from beginning to end or used as a reference tool, this sourcebook reveals the varied life of 'David Copperfield' in the hands of generations of readers, critics and adaptors, and introduces the work in its social, biographical and literary contexts.

This student friendly book draws together text, context, criticism and performance history to provide an integrated view of one of the most dazzling works of the early modern theatre.

An authoritative review of literary biography covering the seventeenth century to the twentieth century A Companion to Literary Biography offers a comprehensive account of literary biography spanning the history of the genre across three centuries. The editor – an esteemed literary biographer and noted expert in the field – has encouraged contributors to explore the theoretical and methodological questions raised by the writing of biographies of writers. The text examines how biographers have dealt with the lives of classic authors from Chaucer to contemporary figures such as Kingsley Amis. The Companion brings a new perspective on how literary biography enables the reader to deal with the relationship between the writer and their work. Literary biography is the most popular form of writing about writing, yet it has been largely neglected in the academic community. This volume bridges the gap between literary biography as a popular genre and its relevance for the academic study of literature. This important work: Allows the author of a biography to be treated as part of the process of interpretation and investigates biographical reading as an important aspect of criticism Examines the birth of literary biography at the close of the seventeenth century and considers its expansion through the eighteenth, nineteenth and twentieth centuries Addresses the status and writing of literary biography from numerous perspectives and with regard to various sources, methodologies and theories Reviews the ways in which literary biography has played a role in our perception of writers in the mainstream of the English canon from Chaucer to the present day Written for students at the undergraduate level, through postgraduate and doctoral levels, as well as academics, A Companion to Literary Biography illustrates and accounts for the importance of the literary biography as a vital element of criticism and as an index to our perception of literary history.

Text World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.

With a remarkable breadth of coverage and a focused, user-friendly approach, this sourcebook is the essential guide for any student of King Lear.

ROMANTICISM Praise for the third edition: “An outstanding anthology, an excellent choice for advanced undergraduate courses on the Romantic era. This edition’s improvements include illustrations, a detailed chronology, and expanded selections from women poets. I look forward to using this edition of Romanticism for years to come.” Kim Wheatley, College of William and Mary “This anthology, even more magnificent and indispensable in its Third Edition, is not simply the most useful or the most learned anthology of English Romantic poetry and thought; it is the most exciting.” Leslie Brisman, Yale University Duncan Wu’s Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994, and is the most widely used teaching text in the field in the UK. Now in its fourth edition, it stands as the essential work on Romanticism. It remains the only such book to contain complete poems and essays edited especially for this volume from manuscript and early printed sources by Wu, along with his explanatory annotations and author headnotes. This new edition carries all texts from the previous edition, adding Keats’s Isabella and Shelley’s Epipsychidion, as well as a new selection from the poems of Sir Walter Scott. All editorial materials, including annotations, author headnotes, and prefatory materials, are revised for this new edition. Romanticism: An Anthology remains the only textbook of its kind to include complete and uncut texts of: Wordsworth and Coleridge, Lyrical Ballads (1798) Wordsworth, The Ruined Cottage, The Pedlar, The Two-Part Prelude, Michael, The Brothers and the Preface to Lyrical Ballads (1800) Charlotte Smith, Elegiac Sonnets (3rd edn, 1786), The Emigrants, Beachy Head Felicia Dorothea Hemans, Records of Woman sequence (all 19 poems) Byron, Childe Harold’s Pilgrimage Canto III and Don Juan Dedication and Cantos I and II Blake, Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes Hannah More, Sensibility and Slavery: A Poem Anna Laetitia Barbauld, Eighteen Hundred and Eleven Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade Helen Maria Williams, A Farewell, for two years, to England As well as generous selections from the works of Mary Robinson, John Thelwall, Dorothy Wordsworth, Robert Southey, Charles Lamb, Thomas De Quincey, William Hazlitt, Leigh Hunt, John Clare, Letitia Landon and Elizabeth Barrett Browning. Visit www.romanticismanthology.com for resources to accompany the anthology, including a dynamic timeline which illustrates key historical and literary events during the Romantic period and features links to useful materials and visual media.