A Respectable Girl

A Young Adult historical romance novel set in both New Zealand and England during the 19th century. The main character is Hannah, a strong Elizabeth Bennett-like personality, who lives in Taranaki with her father, twin brother, Maori step-mother and step-brother during the time of the land wars. Hannah and her twin, Jamie, travel to England, for a number of reasons - one of which is to find the family of their dead mother. There they encounter the culture shock of upper-class English county behaviour. In Hannah's search for her own identity and for the truth about the mother she has never known, she needs all her stubborn independence to survive. There are many fascinating aspects to the book: the Pakeha/Maori racial clash of the time; a young teenager's growing knowledge of the world around her - romance, marriage, work, the purpose of life, racism, death; the striking differences between the freedom of New Zealand and the constraints of England. A Respectable Girl is rich, full of detail, suspenseful, strong on character, has an excellent sense of place and it retains its secret until the final pages

Lucy tries so hard to be good. She was always a good student, tries to be a good friend, a good citizen, a good feminist, and now she wants a lover who will give her a good beating, preferably after tying her up. Dating swings from the sublime to the humiliating, but then Lucy hooks up with someone who challenges her to pursue the writing career she has been letting idle. When she discovers a teen magazine from the 1970s, it sparks her imagination and her life finally seems to come into focus; but as she learns more about how women were treated behind the scenes, she has to decide what to do. How to be true to herself, as chaotic as she believes herself to be; how to be good to those around her; how to survive as a young woman in the still messy media culture of 2015. Surprising, sexy, and hilarious, Good Girl is a thoughtful and endearing portrait of a young woman unsure of what she’s supposed to want from a world where the rules keep changing.

Over a million copies sold. “A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale.” —Lisa Gardner, #1 New York Times bestselling author “I’ve been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don’t know the color of her eyes or what they look like when she’s scared. But I will.” One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn’t show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia’s life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia’s mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family’s world to shatter. An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems. Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... And look for the new editions of Pretty Baby, Don’t You Cry, The Other Mrs. and Every Last Lie featuring brand new covers! More edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out Local Woman Missing Just The Nicest Couple The Other Mrs. She’s not Sorry

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES—COMING SOON TO NETFLIX! • This is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author

»A Respectable Woman« is a short story by Kate Chopin, originally published in 1894. KATE CHOPIN [1851–1904] was born in St Louis. She had six children during her marriage, and it wasn't until after her husband's death in 1882 that she emerged as a writer. She published short stories in magazines such as Vogue and The Atlantic, gaining appreciation and recognition for her depictions of the American South. However, she was also criticized for her disregard for social traditions and racial barriers.

From the internationally bestselling author who Stephen King calls “an absolute master,” a “gripping and eerie” (Karin Slaughter) thriller about a dangerous young woman with the ability to know when someone is lying—and the criminal psychologist who must outwit her to survive. A girl is discovered hiding in a secret room in the aftermath of a terrible crime. Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who died on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth? Emotionally explosive and swiftly paced, this is an “impeccable thriller with a plot that encompasses murder, incest, drugs, abuse, torture, sex—you name it, this book has it” (New York Journal of Books).

On a summer night in 2014, Padma and Lalli went missing from Katra Sadatganj, an eye-blink of a village in western Uttar Pradesh. Hours later they were found hanging in the orchard behind their home. Who they were, and what had happened to them, was already less important than what their disappearance meant to the people left behind. Slipping deftly behind political maneuvering, caste systems and codes of honor in a village in northern India, The Good Girls returns to the scene of their short lives and shameful deaths, and dares to ask: What is the human cost of shame?

‘It took my mother, Khonuo, exactly forty-five years before she could bring herself to talk about the war.’ These powerful words introduce the reader to Easterine Kire’s stunning new novel, A Respectable Woman. In Nagaland, the decisive Battle of Kohima has been fought and won by the Allies, and people in and around Kohima are trying hard to come to terms with the devastation, the loss of home and property, and the deaths of their loved ones. Forty years after the event, Khonuo recreates this moment, stitching together her memories, bit by painful bit, for her young daughter. As memory passes from mother to daughter, the narrative glides seamlessly into the present, a moment in which Nagaland, much transformed, confronts different realities and challenges. Using storytelling traditions so typical of her region, Kire leads the reader gently into a world where history and memory meld — where, through this blurring, a young woman comes to understand the legacy of her parents and her land.

Pretty Little Liars meets Luckiest Girl Alive in this riveting novel about a practically perfect girl who is willing to do anything to make sure it stays that way. Absolutely anything. Things to know about Riley Stone: Riley Stone is just about perfect. (Ask anyone.) She has a crush on her French teacher, Alex Belrose. (And she suspects he likes her, too.) Riley has her entire life planned out. (The plan is nonnegotiable.) She’s never had a secret she couldn’t keep. (Not ever.) Riley is sure that her life is on the right track. (And nothing will change that.) She’s nothing like a regular teenager. (But she doesn’t have any problem admitting that.) Riley doesn’t usually play games. (But when she does, she always wins.) She thinks a game is about to start… But Riley always has a plan… And she always wins.

Bestselling author of Odd Girl Out, Rachel Simmons exposes the myth of the Good Girl, freeing girls from its impossible standards and encouraging them to embrace their real selves In The Curse of the Good Girl, bestselling author Rachel Simmons argues that in lionizing the Good Girl we are teaching girls to embrace a version of selfhood that sharply curtails their power and potential. Unerringly nice, polite, modest, and selfless, the Good Girl is a paradigm so narrowly defined that it's unachievable. When girls inevitably fail to live up-experiencing conflicts with peers, making mistakes in the classroom or on the playing field-they are paralyzed by self-criticism, stunting the growth of vital skills and habits. Simmons traces the poisonous impact of Good Girl pressure on development and provides a strategy to reverse the tide. At once expository and prescriptive, The Curse of the Good Girl is a call to arms from a new front in female empowerment. Looking to the stories shared by the women and girls who attend her workshops, Simmons shows that Good Girl pressure from parents, teachers, coaches, media, and peers erects a psychological glass ceiling that begins to enforce its confines in girlhood and extends across the female lifespan. The curse of the Good Girl erodes girls' ability to know, express, and manage a complete range of feelings. It expects girls to be selfless, limiting the expression of their needs. It requires modesty, depriving the permission to articulate their strengths and goals. It diminishes assertive body language, quieting voices and weakening handshakes. It touches all areas of girls' lives and follows many into adulthood, limiting their personal and professional potential. Since the popularization of the Ophelia phenomenon, we have lamented the loss of self-esteem in adolescent girls, recognizing that while the doors of opportunity are open to twenty-first-century American girls, many lack the confidence to walk through them. In The Curse of the Good Girl, Simmons provides a catalog of tangible lessons in bolstering the self and silencing the curse of the Good Girl. At the core of Simmons's radical argument is her belief that the most critical freedom we can win for our daughters is the liberty not only to listen to their inner voice but also to act on it.