A Radical Departure

A California lawyer’s dream job becomes a nightmare when her boss is murdered in this mystery by the author of Where Lawyers Fear to Tread. Fresh out of law school, Willa Jansson nabs a first-year associate position at a family friend’s law firm. Famous progressive attorney Julian Warneke has gotten Willa’s hippie parents out of legal trouble on several occasions, though his reputation for grandstanding landed Willa in jail for two traumatic months after she was arrested during a protest march. Regardless, she’s happy to be working for such an influential firm, even if it pays less than any other outfit in town and she’s assigned to all the divorces, landlord-tenant cases, and drunk-driving defenses . . . Willa’s caseload is the least of her worries when Julian’s poisoned to death at a fancy work lunch. When the investigation begins, the authorities are drawn to Willa as a suspect in the “law school murders.” Then there’s the matter of her mother being listed to inherit Julian’s house. As Willa begins working to clear their names, she must dodge a terrible ex-boyfriend and a charming cop—not to mention a killer who’s drawing ever closer . . . Praise for the Willa Jansson Mysteries “Matera's wit, grace with language, irreverence toward the legal system, and wry dissection of being a child of the Sixties make this a standout.” —Kirkus Reviews “Intelligent and entertaining . . . Absorbing . . . With sharp descriptions and crisp dialogue . . . Admirably delivers the complex situations and memorable characters of a ‘real novel’ while still managing to let the detective story have its day in court.” —The Wall Street Journal

A psychiatrist working with young members of radical groups discusses the dynamics of growing up, obstacles of middle class life, why adolescents join cults, and what really happens to them while they are involved in the cults

Senior year is over, and Lucy has the perfect way to celebrate: tonight, she's going to find Shadow, the mysterious graffiti artist whose work appears all over the city. He's out there somewhere--spraying color, spraying birds and blue sky on the night--and Lucy knows a guy who paints like Shadow is someone she could fall for. Really fall for. Instead, Lucy's stuck at a party with Ed, the guy she's managed to avoid since the most awkward date of her life. But when Ed tells her he knows where to find Shadow, they're suddenly on an all-night search around the city. And what Lucy can't see is the one thing that's right before her eyes. From the Hardcover edition.

Senior year is over, and Lucy has the perfect way to celebrate: tonight, she's going to find Shadow, the mysterious graffiti artist whose work appears all over the city. He's out there somewhere--spraying color, spraying birds and blue sky on the night--and Lucy knows a guy who paints like Shadow is someone she could fall for. Really fall for. Instead, Lucy's stuck at a party with Ed, the guy she's managed to avoid since the most awkward date of her life. But when Ed tells her he knows where to find Shadow, they're suddenly on an all-night search around the city. And what Lucy can't see is the one thing that's right before her eyes. From the Hardcover edition.

This article considers the implications of the new Digital Services Tax. The UK introduces a 2% Digital Services Tax from 1 April 2020 on gross revenues generated from certain activities in the UK.

The voluminous writings of Ludwig Wittgenstein contain some of the most profound reflections of recent times on the nature of the human subject and self-understanding - the human condition, philosophically speaking. Describing Ourselves mines those extensive writings for a conception of the self that stands in striking contrast to its predecessors as well as its more recent alternatives. More specifically, the book offers a detailed discussion of Wittgenstein's later writings on language and mind as they hold special significance for the understanding and clarification of the distinctive character of self-descriptive or autobiographical language. Garry L. Hagberg undertakes a ground-breaking philosophical investigation of selected autobiographical writings - among the best examples we have of human selves exploring themselves - as they cast new and special light on the critique of mind-body dualism and its undercurrents in particular and on the nature of autobiographical consciousness more generally. The chapters take up in turn the topics of self-consciousness, what Wittgenstein calls 'the inner picture', mental privacy and the picture of metaphysical seclusion, the very idea of our observation of the contents of consciousness, first-person expressive speech, reflexive or self-directed thought and competing pictures of introspection, the nuances of retrospective self-understanding, person-perception and the corollary issues of self-perception (itself an interestingly dangerous phrase), self-defining memory, and the therapeutic conception of philosophical progress as it applies to all of these issues. The cast of characters interwoven throughout this rich discussion include, in addition to Wittgenstein centrally, Augustine, Goethe, Dostoevsky, Kierkegaard, Iris Murdoch, Donald Davidson, and Stanley Cavell, among others. Throughout, conceptual clarifications concerning mind and language are put to work in the investigation of issues relating to self-description and in novel philosophical readings of autobiographical texts.

Memorial papers included in the appendices.

Memorial papers included in the appendices.