A Pocket History Of Irish Traditional Music

The books in this series explore the lore, legends, music, and politics of Ireland. Their concise, pocket-sized format is well suited for aficionados as well as those who have a general interest in the topics. The role of musicians in Irish society arid the significance of the songs and dances they produced are explored in this overview of the Irish musical tradition. From the hypnotic harp music of early Ireland in the fifth century BC to the "Lord of the Dance and "Riverdance phenomena of the 1990s, a wide spectrum of historical sources, music, and folklore are examined, many of which provide a record of times long passed and little documented. Covering the entire breadth of Irish music, this book profiles the major musicians and musical groupings of each era and explores the continued popularity of Irish traditional music.

From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.

The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.

The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance and beyond. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.

"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.

First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.

Few countries can match Ireland's musical reputation. Irish music simply captivates: from a small island on the fringes of an old continent to the vast Irish diaspora, from an aristocratic profession to a popular activity, from an essentially rural existence to urban enthusiasm, from small kitchens to world stages, from dance music to orchestral compositions, from seasoned Irish musicians to Japanese beginners, its capacity for adaptation knows no bounds. This book offers a comprehensive overview of the history of Irish music in a clear and accessible style, narrating its constant adjustments and revolutions, from an ancient tradition to its international influence today, through its constant recreation and preservation by enthusiasts and activists. With over forty years of passion for Ireland and its music, and from an outsider's perspective, the author attempts to fill a gap in the world of Irish studies by exploring the implications of how Irish music, dancing and singing have survived, century after century, continually placing the music in its social, political and historical context. Erick Falc'her-Poyroux is a Professor of Irish and British studies at the University of Tours, France. He completed his PhD in 1996 on Ireland's musical identity, and he has translated or written several books on Ireland and on the Beatles. He is the author of a documentary on Irish music in France and has collaborated with the French National Television Archives (INA) on a documentary on Irish dance. Ireland has been his second home since the 1980s.

Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.

Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art: I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice. II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland. III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music. New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.