A Painted Winter

In the misty highlands of fourth century Scotland, two Pictish brothers conspire with the Ancient People from beyond the Great Wall to attack the Romans. Roman power in Britannia is weakening. Brothers Brei and Taran, Princes and warriors of a Pictish Kingdom, seek revenge against the Romans for attacking their city, killing their father, and taking their mother as a slave. The sudden arrival of Sorsha, a mysterious woman with an incredible gift, sets the brothers on a path to warfare. A Painted Winter is book one of the four-part Pictish Conspiracy Series. H. Barnard’s debut novel blends historical fiction and Celtic mythology in a thrilling adventure that will leave you wondering who the real barbarians are ….

Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.

Step into the colorful world of Henri Matisse and his magnificent paper cutouts in this biography by acclaimed picture book creator Jeanette Winter. In a small weaving town in France, a young boy named Henri-Emile Matisse drew pictures everywhere, and when he grew up, he moved to Paris and became a famous artist who created paintings that were adored around the world. But late in life a serious illness confined him to a wheelchair, and amazingly, it was from there that he created among his most beloved works—enormous and breathtaking paper cutouts. Based on the life of Henri Matisse, this moving and inspirational picture book biography includes a note from the author, dynamic quotes from Matisse himself, and an illuminating look at a little-known part of a great artist’s creative process.

Squirrel, Hedgehog, and Bear have never seen it snow, so when Deer predicts an early snowfall, they attempt to stay awake to see the snow.

David Bellamy has a tremendous following among amateur painters, and this book features the most popular painting subject as well as the most popular medium. In this book, Bellamy covers everything the beginner needs to know about the subject, including advice on basic materials and palette, simple exercises on watercolour techniques, advice on painting trees, skies, water, people, birds and animals, and tips on how to work from photographs and working on location.

A “spellbinding” tale of a headstrong young woman, a mysterious hypnotist, and a battle for freedom in early twentieth-century Oregon (School Library Journal). Olivia Mead is a headstrong, independent young suffragist in an age that prefers its girls to be docile. It’s 1900 in Oregon, and Olivia’s father, concerned that she’s headed for trouble, convinces a stage mesmerist to try to hypnotize the rebellion out of her. But the hypnotist, an intriguing man named Henri Reverie, gives her a terrible gift instead: she’s able to see people’s true natures, manifesting as visions of darkness and goodness, while also unable to speak her true thoughts out loud. These supernatural challenges only make Olivia more determined to speak her mind, and so she’s drawn into a dangerous relationship with the hypnotist and his mysterious motives, all while secretly fighting for the rights of women. Cat Winters, award-winning author of The Uninvited, breathes new life into history once again with an atmospheric, vividly real story, including archival photos and art from the period throughout.

Have you ever wanted to Paint and Sip or enjoy any afternoon of fun with friends. Well this book can do that for you. This book takes all the hassle out of trying to figure out what to paint and how to paint it. This is a holiday book with six designs focused around the winter holidays; see the table of contents for the pictures. This book is meant for the beginner artist that wants a jump start on learning how to paint. These designs will teach you composition and perspective with fun and easy to follow design; designs you can build on once you get better. Let's face it, if you want to get better at painting you have to do it, but who says you have to make things complicated to make the painting look good. Maybe you're someone who wants to have fun and not make a huge deal out of figuring out the composition. If you're someone who has little interest in vanishing points, grid systems or lines of horizon, then this book is for you. Some people just want to paint and have it look good, or at least in perspective. Some people want to get better and actually learn a system they can use on future work. Either way this book can do that for you.Each one of the designs starts out with one line and quickly unfolds into a complete design after only a few more. Artist will learn about creating a design that looks correct to the eye yet easy to fix if anything looks off. The winter scenes can be done around the Christmas Holidays for great family fun or party time but can also be done as beautiful winter scenes if you are trying to learn how to paint the cold season. The designs are easy enough for anyone to teach and fun enough that everyone will want to follow along and learn how to paint, the easy way. Thank you to all of you wonderful artist who share your stories, you are all so wonderful and talented. I hope these books continue to help you get better at understanding the design and composition without the hassle of perspective.

Filled with wintry whimsy, from ice-skating unicorns to snow castles, northern lights and other fantastical delights. Use the brush provided to sweep water over the designs and festive colors magically appear! A mess-free way to keep children busy for long winter nights and for the holidays. Simply tuck the waterproof back flap under each page as it's painted, to stop water from seeping through to the rest of the book.

Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.