A Night Of Blacker Darkness

Wrongly imprisoned, Frederick Whithers is desperate to commit the crime he's already being punished for: defrauding the bank out of a vast inheritance. He fakes his death to escape, but when he's seen climbing out of a coffin everyone assumes he's a vampire; when he shows none of the traditional vampire weaknesses, they decide he must be the Great One, the most powerful vampire in the history of the world.Half horror and half farce, Frederick's tale is an ever-growing avalanche of bankers, constables, graverobbers, poets, ghouls, morticians, vampires, vampire hunters, not to mention some very unfortunate rabbits. With a string of allies even more unlikely than his enemies, can Frederick stay alive long enough to claim his (well, somebody's) money? And if he can't, which of his innumerable enemies will get to him first?

John Wayne Cheever keeps his obsession with serial killers in check by a set of rigid rules that he lives by, hoping to the prevent himself from committing murder, but when a body turns up at a laundromat, must confront a danger outside himself.

From the depths of a valley rises the city of Mahala It's a city built upwards, not across -- where streets are built upon streets, buildings upon buildings. A city that the Ministry rules from the sunlit summit, and where the forsaken lurk in the darkness of Under. Rojan Dizon doesn't mind staying in the shadows, because he's got things to hide. Things like being a pain-mage, with the forbidden power to draw magic from pain. But he can't hide for ever. Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic. And unlucky for Rojan -- this is going to hurt.

Just when Fredrick Whithers thought his life couldn't get any more complicated, he is asked to arrange a funeral for a man who is very much not dead. In the companion to A Night of Blacker Darkness, Frederick must balance the arts of necromancy and magic while managing to run a funeral home.

Money, charm and sensual skills don't make up for a heart colder than ice... Wild parties, wanton women, relentless work--nothing helps tycoon Lucas Jackson escape his dark and haunting past. Arriving at his rural castle in a snarling snowstorm, he craves only complete isolation.... But it seems oblivion can take an unexpected and highly intoxicating form Personally delivering the vital file left on her boss's desk, secretary Emma Gray starts to seriously regret her dutiful overtime mission. She never expected the dark side of the usually controlled Lucas could generate such a primitive, powerful--and entirely inappropriate--reaction.

Enter Shadow Falls: After Dark and meet a vampire named Della, who's about to discover what her own story is meant to be. . . . Della had the perfect life-the family, a boyfriend, and a bright future-until she was turned, and abandoned by everyone she loves. She takes refuge at Shadow Falls, a camp for teens with paranormal powers. It's where she and her best friends, Kylie and Miranda, heal their heartbreak with laughter, and where Della is training to be a paranormal investigator-and she refuses to be distracted. That means there's no time for romance with Steve, a gorgeous shapeshifter whose kisses melt her heart. When a new vampire named Chase shows up at camp, Della's world is thrown into even more chaos. Arrogant and annoyingly sexy, Chase is a mystery . . . and the only mystery Della likes is one she can solve. She can't solve Chase, at least not while she's dealing with ghostly hauntings, vampire gangs and a web of family secrets. Can she prove herself as an investigator and keep her life-and her heart-intact? From bestselling author C. C. Hunter comes Reborn, the first book in a new series set once more in the world of Shadow Falls.

From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.

A source of controversy upon its 1929 publication, this novel was the first to openly address color prejudice among black Americans. The author, an active member of the Harlem Renaissance, offers insightful reflections of the era's mood and spirit in an enduringly relevant examination of racial, sexual, and cultural identity.

In the bitter cold of 1985, two buddies embark on a hunting trip from suburban Detroit to rural Michigan, unaware they would soon become the hunted. Darker than Night tells the chilling true story of the mystery that haunted a community and baffled the police for two decades. The eerie silence surrounding their sudden disappearance is broken after nearly two decades when a relentless investigator inspires a terrified witness to break her silence. The witness narrates a haunting scene that had unfolded years back, pointing fingers at the prime suspects–the Duvall brothers. With no bodies unearthed, the justice system is riveted by the startling revelations during an electrifying trial in 2003. The brothers, Raymond and Donald Duvall, had bragged about the murders, evocatively explaining how they dismembered their victims and fed them to pigs. Despite the shocking confession, the case holds its ground purely on a single witness's account, taking the courtroom through a labyrinth of dark secrets and sinister acts. This gripping thriller presents a vivid tale of crime that reveals the devastating power of evil.

This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.