A New Poetics Of Chekhovs Major Plays

This text attempts to map the unique structure and meaning that comprise Chekhov's immensely rich artistic universe. The prime components of his theatrical technique and fictional world are explored to uncover the basic principles governing the Chekhov's universe.

? Casts new light on how Chekhovs plays can be interpreted and enacted ? The author explores all the prime components of Chekhovs theatrical technique: text construction, themes and ideas, scenes, dialogue, plot, and interaction between verbal and nonverbal elements ? A rigorous and comprehensive treatment of the many aspects of Chekhovs artistic universe ? All the major works explored One century after the death of Anton Chekhov (18601904), his plays are celebrated throughout the world as a major milestone in the history of theatre and drama. Outside the Russian-speaking community, he is undoubtedly the most widely translated, studied and performed of all Russian writers. His plays are characterised by their evasiveness: tragedy and comedy, realism and naturalism, symbolism and impressionism, as well as other labels of school and genre all fail to account for the uniqueness of Chekhovism, i.e., the essence of his artistic system and world view. Presence through Absence is a bold attempt to map the unique structure and meaning that comprise Chekhovs immensely rich artistic universe. Golombs text is an incursion into Chekhovs vision of unrealised potentials and present absences. His timeless works are shown with rare insight and clarity to have artistic principles and coherence above and beyond the scope of the individual play.

Casts new light on how Chekhov's plays can be interpreted and enacted. The author explores all the prime components of Chekhov's theatrical technique: text construction, themes and ideas, scenes, dialogue, plot, and interaction between verbal and nonverbal elements. A rigorous and comprehensive treatment of the many aspects of Chekhov's artistic universe. All the major works explored. Foreword by Donald Rayfield, Emeritus Professor of Russian, Queen Mary College, University of London; author, Chekhov: A Life; Chekhov, the Evolution of his Art; Understanding Chekhov. One century after the death of Anton Chekhov (1860-1904), his plays are celebrated throughout the world as a major milestone in the history of theatre and drama. Outside the Russian-speaking community, he is undoubtedly the most widely translated, studied and performed of all Russian writers. His plays are characterised by their evasiveness: tragedy and comedy, realism and naturalism, symbolism and impressionism, as well as other labels of school and genre - all fail to account for the uniqueness of 'Chekhovism', i.e., the essence of his artistic system and world view. Presence through Absence is a bold attempt to map the unique structure and meaning that comprise Chekhov's immensely rich artistic universe. Golomb's text is an incursion into Chekhov's vision of unrealised potentials and present absences. His timeless works are shown with rare insight and clarity to have artistic principles and coherence above and beyond the scope of the individual play.

The analysis of the mythopoetics of a literary work involves the search for mythological archetypes, parallels, paradigms, and motives in a literary text. In a new attempt at an integrated vision of literary works, Zubarev presents a comprehensive approach on the basis of mythopoetics. Her theory is verified through a close examination of four of Chekhov's major plays: The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard. Zubarev presents a compelling approach to literary analysis, and explores the enigmatic roots of Chekhov's universal significance. Her mythopoetic study sheds light on why Chekhov's plays are moving in any language and in any time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial—though until now neglected—epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. After a series of essays addressing publication history, translation, and problems of censorship, scholars analyze the letters' generic qualities that draw upon, variously, prose, poetry, and drama. Individual thematic studies focus on the letters as documents reflecting biographical, cultural, and philosophical issues. The book culminates in a collection of short, at times lyrical, essays by eminent scholars and writers addressing a particularly memorable Chekhov letter. Chekhov's Letters appeals to scholars, writers, and theater professionals, as well to a general audience.

An enlightening, nuanced, and accessible introduction to the life and work of one of the greatest writers of short fiction in history. Anton Chekhov’s stories and plays endure, far beyond the Russian context, as outstanding modern literary models. In a brief, remarkable life, Chekhov rose from lower-class, provincial roots to become a physician, leading writer, and philanthropist, all in the face of a progressive fatal disease. In this new biography, Michael C. Finke analyzes Chekhov’s major stories, plays, and nonfiction in the context of his life, both fleshing out the key features of Chekhov’s poetics of prose and drama and revealing key continuities across genres, as well as between his lesser-studied early writings and the later works. An excellent resource for readers new to Chekhov, this book also presents much original scholarship and is an accessible, comprehensive overview of one of the greatest modern dramatists and writers of short fiction in history.

Presents five of Chekhov's dramatic works.

Five masterful dramatic works from one of the world's best-loved playwrights, including The Seagull—now a major motion picture starring Saoirse Ronan, Elizabeth Moss, and Annette Bening At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. Ivanov depicts a man stifled by inactivity and lost idealism, and The Seagull contrasts a young man's selfish romanticism with the stoicism of a woman cruelly abandoned by her lover. With 'the scenes from country life' of Uncle Vanya, his first fully mature play, Chekhov developed his own unique dramatic world, neither tragedy nor comedy. In Three Sisters the Prozorov sisters endlessly dream of going to Moscow to escape the monotony of provincial life, while his comedy The Cherry Orchard portrays characters futilely clinging to the past as their land is sold from underneath them. In this edition Peter Carson's moving translations convey Chekhov's subtle blend of comedy, tragedy and psychological insight, while Richard Gilman's introduction examines how Chekhov broke with theatrical conventions and discusses each play in detail. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.