A Narrative Of The Negro

An early history of African Americans by an African American woman.

A narrative of the Negro. 238 Pages.

Large Print Edition, Printed in 18pt Font. MOST girls and boys, who are from twelve to fourteen years old can tell, if one should ask them, many interesting things about America, the country in which we live and most children whose fore-parents came from Europe or Asia have been taught to love those countries just because their kinfolk once lived there. Many little colored children can draw a map of Africa, tell some of its products and describe some of its people; I wonder how many have been taught to think of Africa with interest and affection, because our great, great grandparents came from that continent? Perhaps if we talk awhile about our Motherland and some of the notable things which have happened there, we shall all learn to love that wonderful country and be proud of it. In these talks, though sometimes the adjective "colored" will be used just as the word "white" is frequently made use of, we shall, as a rule speak of ourselves as "Negroes" and always begin the noun with a capital letter. It is true that the word Negro is considered by some a term of contempt and for that reason, many of us wince at it; but history tells us that when England had been conquered by the Normans, centuries ago, and the Norman barons were beating, starving and killing the natives, the name "Englishman" was considered an abusive term, and the greatest insult one Norman could offer another was to call him an "Englishman." You know that now all who claim England as home are justly proud of it, and no Englishman is ashamed of that name. If history repeats itself, as we are often told it does, the time will come when our whole race will feel it an honor to be called "Negroes." Let us each keep that hope before us and hasten the time by living so that those who know us best will respect us most; surely then those who follow will be proud of our memory and of our race-name.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library W028650 The "late publications" referred to are those of Mathew Carey, particularly his "Short account of the malignant fever, lately prevalent in Philadelphia .." - District of Pennsylvania copyright notice (p. [2]) names Jones and Richard Allen as authors. "To Philadelphia: Printed for the authors, by William W. Woodward, at Franklin's Head, no. 41, Chesnut-Street, 1794. 28 p.; 12°

This little volume contains, in story form, a brief outline of the history of the Negro. In collating the facts herein set forth it was my privilege to consult the Congressional Library at Washington, the libraries of Harvard and Yale universities and the Boston Public Libiary. I am fully aware that such opportunities should have insured a better book, but I earnestly hope that the motive which prompts me may cause the shortcomings and imperfections of the work to be forgiven. I wish to acknowledge my indebtedness to the following authors: Hereen (H istorical Researches), Edmund D. Morel, Robert P. Skinner, Edward Howell, T. J. A lldridge, J. V. Delacroix, J. J. Crooks, Frederick Douglass, Thomas A she, records of the American Colonization Society, W. J. Gardner, John A tkins, John Bigelow, Hasting Charles Dent, Frank Wiborg, J. VV. Birch, Joseph A. Tillinghast, Rev. Robert Walsh, Increase N. Tarbox, Lydia Maria Child, Sir Harry Johnston, Sir Henry M. Stanley, Dr. W. E. B. Dubois, Prof. Kelly Miller, Dr. Booker T. Washington, Charles W. Williams, Joseph T. Wilson, William Still, W. H. Grimshaw, James M. trotter, W. H. Crogman, J. T. Headley, B. J. Lossing, J. W. Gibson, Zachary Macaulay, Edward W. Blyden, J. J. Pippin, Mrs. E. M. OC onnor, Mrs. F. B. Williams, Andrew Carnegie, G. W. Forbes. For assistance in other directions, I wish, also, to thank Hon. Robert Spurgeon, Brooklyn; Mr. Reginald Peters, St. Kitts; and Miss Beatrice Le Strange, of Boston. Because of his unfailing interest, encouragement and advice in this attempt I owe most of all to my husband. In presenting this narrative, as a sort of family story to the colored children of A merica, it is my fervent hope that they may hereby acquire such an earnest desire for greater information as shall compellingly lead them, in maturer years, to the many comprehensive and erudite volumes which have been w

The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.