A Manual Of Gregorian Chant

THIS little book is an adaptation to the special wants of the English speaking countries of the Manuale Missae et Olficiorum compiled from the Solesmes books, which has just been published by Messrs Deselee, Lefebvre & Co. It is chiefly intended to promote congregational singing in those places where the Solesmes books have been adopted, but it may be useful also in the Churches in which other editions are still in use. The Ordinary of the Mass and the Hymn at Vespers are the parts of Divine Service in which the congregation is supposed to join; the same ought to ee said of the Psalms, but as it is difficult to sing them without a pointed Psalter, it has been thought better to leave them out of this book, pointed Psalters having been edited in various places, especially at Solesmes. The chief feature of this English edition is the number of pieces which it contains for Benediction of the Most Blessed Sacrament. Some of these pieces are already in the Solesmes books: these have been printed without any alteration, for the sake of uniformity. The greatest number has been extracted from manuscripts in the British Museum, as far as possible of English origin: in this case, the English form of the melody has been kept, without any attempt to give a critical edition. As many people have complained of the lack of Plain Chant settings for the 0 Salutaris and Tantum ergo, a certain number have been printed in these books: some of them are already known; the others are transcriptions or adaptations of ancient hymns, mostly from English manuscripts: it seemed it would be better to revive these beautiful melodies than to compose new ones. The latin text of the Ordinary of the Mass is accompanied with a paraphrase by Dom Gueranger. The Lady Abbess of Stanbrook has kindly given permission to use the excellent translation of the Liturgical Year by Dom Laurence Shepherd O. S. B. Special thanks are due from the compiler to the Rev. G. H. Palmer, for putting at his disposal a copy of the Sarum sequences from the original manuscripts, thus saving much time and labour.

Excerpt from Magister Choralis: A Theoretical and Practical Manual of Gregorian Chant for the Use of the Clergy, Seminarists, Organists, Choir-Masters, Choristers, &C It is now fifteen years since the "Magister Choralis" first appeared in English dress. Since that time it has been translated into four other European languages; - French, Italian, Polish and Spanish, and the original German has reached its tenth edition. This may be fairly regarded as a world-wide proof of the need there was for such a Manual, and of how well it has answered that need. Other useful Manuals of Plain-Chant, dealing with its elementary characteristics and giving rules for practice, have appeared from time to time, and have in many instances proved most valuable, but no one has yet appeared that treats the subject so exhaustively, from its several liturgical, musical, historical, archeological and practical standpoints, as this clear and comprehensive work of the Rev. Dr. Haberl, and with its twenty-seven years of unchallenged superiority, it bids fair to remain without a rival. In undertaking this new English edition, I have been influenced by the statements made in the Author's Preface, as to the changes, alterations and additions made since the appearance of the fourth German edition, from which the first English translation was made. These alterations have been so numerous, and in many instances of such a radical character, that I felt that a completely new work was placed before me, rather than the revision of an old one. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.