A Killing At The Track

Investigator Jeri Howard is fascinated by the beautiful horses and the zealous spectators at stylish Edgewater Downs. But behind the scenes, where the owners, trainers, jockeys, and grooms mingle, life is not so pretty. Someone is terrorizing owner-trainer Molly Torrance with sinister phone threats. Who would be so malicious? Jeri's money is on ambitious jockey Benita Pascal, whom Molly recently fired. But what about great horses suddenly losing races? Or the blonde Jeri spies betting a bundle on the longest of long shots? And what about . . . cold-blooded murder? For when death's dark horse hugs the rail, Jeri gallops to find a ruthless killer.

Two Arkansas teenagers are run over by a train. The state medical examiner rules they smoked themselves into "a marijuana-induced stupor" before lying down, side by side on the tracks. He rules the deaths accidental. Case closed. Except that when the parents of one get the bodies exhumed, new autopsies point to murder. That launches the mom of one of the boys on a journey that will lead her into a dark world of drugs and political corruption. In 2001, after this book's release, a U.S. court of appeals wrote: "The record in this case reads like a John Grisham novel." Shockingly, this story is true.

An Edgar Award finalist for Best Fact Crime, this “impressive…open-eyed investigative inquiry wrapped within a cultural history of rural America” (The Wall Street Journal) shows legendary statistician and baseball writer Bill James applying his analytical acumen to crack an unsolved century-old mystery surrounding one of the deadliest serial killers in American history. Between 1898 and 1912, families across the country were bludgeoned in their sleep with the blunt side of an axe. Some of these cases—like the infamous Villisca, Iowa, murders—received national attention. But most incidents went almost unnoticed outside the communities in which they occurred. Few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station. When celebrated true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal and uncovered one of the deadliest serial killers in America. “A suspenseful historical account” (Publishers Weekly, starred review), The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history. “A beautifully written and extraordinarily researched narrative…This is no pure whodunit, but rather a how-many-did-he-do” (Buffalo News).

Forged in a London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for over 40 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres – including Metallica, Nirvana and Nine Inch Nails – while their own style ranges across post-punk, dub, industrial, world music, electronica and alt-metal. Their equally eclectic lyrics traverse social alienation, dystopian futures, the folly of hubris, Cold War dread, paganism and the occult. Above all, their work embodies a process of self-discovery whose aim is nothing less than the revelation and integration of our darkest urges. Killing Joke On Track covers the fifteen studio albums and almost 200 songs of Killing Joke’s vocation to date, including obscure gems, live albums and compilations. It’s a celebration of a band who are often challenging, always provocative, but ultimately life-affirming. Nic Ransome spent most of the past 20 years as a screenwriter and is currently researching toward a PhD. Straight out of school in the mid-1980s, he self-published a rock fanzine then played bass in a short-lived space-punk band, before dabbling in theatre. He spent the next ten years doing a series of bullshit jobs to earn a living before rekindling a teenage obsession with movies, which eventually led to a seven-year stint at legendary British film company Hammer. This book is Nic turning full circle back to his first love as an adult: writing about music, specifically a band of which he’s been a fan going on 42 years. He lives in Suffolk, UK.

“The best damned book from the point of view of the infantrymen who fought there.”—Army Times Among the best books ever written about men in combat, The Killing Zone tells the story of the platoon of Delta One-six, capturing what it meant to face lethal danger, to follow orders, and to search for the conviction and then the hope that this war was worth the sacrifice. The book includes a new chapter on what happened to the platoon members when they came home.

Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.

Do individuals have a positive right of self-defence? And if so, what are the limits of this right? Under what conditions, if any, does this use of force extend to the defence of others? These are some of the issues explored by Dr Uniacke in this comprehensive philosophical discussion of the principles relevant to self-defence as a moral and legal justification of homicide. She establishes a unitary right of self-defence and defence of others, one which grounds the permissibility of the use of necessary and proportionate defensive force against culpable and non-culpable, active and passive, unjust threats. Particular topics discussed include: the nature of moral and legal justification and excuse; natural law justifications of homicide in self-defence; the Principle of Double Effect and the claim that homicide in self-defence is justified as unintended killing; and the question of self-preferential killing. This is a lucid and sophisticated account of the complex notion of justification, revolving around a critical discussion of recent trends in the law of self-defence.

The chief of police of Jarrett Creek, Texas, doubles as the town drunk. So when Dora Lee Parjeter is murdered, her old friend and former police chief Samuel Craddock steps in. He discovers that a lot of people had it in for Dora Lee. The conniving rascals on the farm next door want her land for nefarious purposes; her estranged daughter could be seeking vengeance; her grandson wants money for art school; and then there's that stranger Dora Lee claimed was spying on her. Does Craddock still have what it takes to find the killer? In this debut novel, the strong, compelling voice of Samuel Craddock illuminates the grandeur and loneliness of the central Texas landscape and reveals the human foibles of the residents in a small Texas town-their pettiness and generosity, their secret vices and true virtues.