A Key To Whiteheads Process And Reality

Whitehead's magnum opus is as important as it is difficult. It is the only work in which his metaphysical ideas are stated systematically and completely, and his metaphysics are the heart of his philosophical system as a whole. Sherburne has rearranged the text in a way designed to lead the student logically and coherently through the intricacies of the system without losing the vigor of Whitehead's often brilliant prose. "The Key renders Process and Reality pedagogically accessible for the first time."—Journal of Religion

In Process and Reality and other works, Alfred North Whitehead struggled to come to terms with the impact the new science of quantum mechanics would have on metaphysics. This ambitious book is the first extended analysis of the intricate relationships between relativity theory, quantum mechanics, and Whitehead's cosmology. Michael Epperson illuminates the intersection of science and philosophy in Whitehead's work-and details Whitehead's attempts to fashion an ontology coherent with quantum anomalies. Including a nonspecialist introduction to quantum mechanics, Epperson adds an essential new dimension to our understanding of Whitehead-and of the constantly enriching encounter between science and philosophy in our century.

One of the major philosophical texts of the 20th century, Process and Reality is based on Alfred North Whitehead’s influential lectures that he delivered at the University of Edinburgh in the 1920s on process philosophy. Whitehead’s master work in philsophy, Process and Reality propounds a system of speculative philosophy, known as process philosophy, in which the various elements of reality into a consistent relation to each other. It is also an exploration of some of the preeminent thinkers of the seventeenth and eighteenth centuries, such as Descartes, Newton, Locke, and Kant. The ultimate edition of Whitehead’s magnum opus, Process and Reality is a standard reference for scholars of all backgrounds.

Stephen David Ross presents an extensive, detailed, and critical interpretation of Whitehead's mature thought, emphasizing the fundamental role of perspective in Whitehead's cosmology, and tracing the conflicts and difficulties therein to tensions involving perspective in relation to other central features of Whitehead's thought. Ross isolates four principles as having a fundamental role in whitehead's metaphysics: perspective, cosmology, experience, and mechanical analysis. He argues that many of Whitehead's difficulties can be eliminated by raising the principle of perspective to prominence and by revising the other central features of Whitehead's theory accordingly. This book addresses key Whiteheadian texts and secondary interpretations of Whitehead. The discussion ranges over most of Whitehead's theory in Process and Reality, and offers a number of significant and, in some cases, novel views on different aspects of Whitehead's theory: perception, prehension, causation, objective immortality, self-causation, the extensive continuum, natural order, possiblity, concreteness, and God. Ross's concluding suggestions for modifying Whitehead's system promise to occasion much debate among process philosophers, theologians, and anyone concerned with Whitehead's thought.

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

"...an attractive alternative to Victor Lowe's Understanding Whitehead, Ivor Leclerc's Whitehead's Metaphysics, and Donald Sherburne's A Key to Whitehead's Process and Reality....Recommended for advanced undergraduates and beyond."-CHOICE