A House To Let

Contents: Over the Way -- The Manchester Marriage -- Going into Society -- Three Evenings in the House -- Trottle's Report -- Let at Last

Collection of classics by authors and texts that have endured over time. Literary works that have left us their legacy to our cultural tradition and its prestige endures. A tour of the masterpieces of classical letters and their great authors such as: Oscar Wilde, William Shakespeare, Charles Dickens, Daniel Defoe, Jack London, Bram Stocker, Arthur Conan Doyle, Jane Austen, mong other great authors of literature.

Compiled by Charles Dickens, and including chapters by Elizabeth Gaskell, Wilkie Collins and Adelaide Anne Procter, A House to Let is a composite tale of mystery and intrigue set amid the dark streets of Victorian London. Advised by her doctor to have a change of scenery, the elderly Sophonisba takes up lodgings in London. Immediately intrigued by a nearby “house to let,” she charges her two warring attendants, Trottle and Jarber, to unearth the secret behind its seeming desertedness. Rivals to the end, they each seek to outdo the other to satisfy their mistress’ curiosity; however, it is only after repeated false starts - and by way of elaborate tales of men lost at sea, circus performers, and forged death certificates - that they happen upon the truth. As part of our mission to publish great works of literary Fiction and nonFiction, Sheba Blake Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.

In this short story by four great Victorian authors, a woman’s fascination with an abandoned house reveals mystery and intrigue within. Written by Charles Dickens, Wilkie Collins, Elizabeth Gaskell, and Adelaide Anne Procter, “A House to Let” tells the story of an elderly woman who moves to London for a change of scenery. Fascinated by signs of life emanating from a supposedly abandoned house, she entreats two rival helpers to investigate. On their journey to uncovering the truth, they return to their mistress with competing tales of men lost at sea, bizarre circus performers, forged death certificates, and more.

OVER THE WAY I had been living at Tunbridge Wells and nowhere else, going on for ten years, when my medical man—very clever in his profession, and the prettiest player I ever saw in my life of a hand at Long Whist, which was a noble and a princely game before Short was heard of—said to me, one day, as he sat feeling my pulse on the actual sofa which my poor dear sister Jane worked before her spine came on, and laid her on a board for fifteen months at a stretch—the most upright woman that ever lived—said to me,“What we want, ma’am, is a fillip.” “Good gracious, goodness gracious, Doctor Towers!” says I, quite startled at the man, for he was so christened himself: “don’t talk as if you were alluding to people’s names; but say what you mean.” “I mean, my dear ma’am, that we want a little change of air and scene.” “Bless the man!” said I; “does he mean we or me!” “I mean you, ma’am.” “Then Lard forgive you, Doctor Towers,” I said; “why don’t you get into a habit of expressing yourself in a straightforward manner, like a loyal subject of our gracious Queen Victoria, and a member of the Church of England?” Towers laughed, as he generally does when he has fidgetted me into any of my impatient ways—one of my states, as I call them—and then he began,— “Tone, ma’am, Tone, is all you require!” He appealed to Trottle, who just then came in with the coal-scuttle, looking, in his nice black suit, like an amiable man putting on coals from motives of benevolence.

What's the best room in the house? Is it the kitchen with its wonderful aromas and goodies? Or is it the front porch, where guests flock to visit on summer nights? Maybe it's the cozy bedroom, when you are snuggling deep under the covers on winter mornings. With gracious text and enchanting images, Newbery Medalist Cynthia Rylant and acclaimed illustrator Wendy Anderson Halperin invite readers home -- to remind us why there's no place like it!

I had been living at Tunbridge Wells and nowhere else, going on for ten years, when my medical man--very clever in his profession, and the prettiest player I ever saw in my life of a hand at Long Whist, which was a noble and a princely game before Short was heard of--said to me, one day, as he sat feeling my pulse on the actual sofa which my poor dear sister Jane worked before her spine came on, and laid her on a board for fifteen months at a stretch--the most upright woman that ever lived--said to me, "What we want, ma'am, is a fillip."

This collaborative short story brings together the creative talents of four of the Victorian era's most popular fiction writers -- Wilkie Collins, Charles Dickens, Elizabeth Gaskell, and Adelaide Anne Procter each contributed a section to the work. When an elderly woman notices signs of activity at a supposedly abandoned home in her neighborhood, she devises a scheme to get to the bottom of the mysterious goings-on.

(Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is "no day but today." Includes 16 color photographs of productions of Rent from around the world, plus an introduction ("Rent Is Real") by Victoria Leacock Hoffman.