A House In Fez

When Suzanna Clarke and her husband Sandy McCutcheon bought a dilapidated house in the Fez Medina, their friends in Australia thought they were mad. Located in a maze of donkey-trod alleyways, the house - an Arab-style riad - was beautiful but in desperate need of repair. Walls were in danger of collapse, the plumbing non-existent. While neither Suzanna nor Sandy spoke Arabic and had only a smattering of French, they were determined to restore the house to its original splendour, using traditional craftsmen and handmade materials. So began a remarkable experience that veered between frustration, hilarity and moments of pure exhilaration. But restoring the house was only part of their immersion in the rich and colourful life of this ancient city. A House In Fez is a journey into Moroccan culture - into it's day-to-day rhythms, its customs and festivals. Into its history, Islam, and Sufi rituals. Into the lore of djinns and spirits. And above all, into the lives of all of the people - warm, friendly, hospitable to a fault.

The Medina -- the Old City -- of Fez is the best-preserved, medieval walled city in the world. Inside this vibrant Moroccan community, internet cafes and mobile phones coexist with a maze of donkey-trod alleyways, thousand-year-old sewer systems, and Arab-style houses, gorgeous with intricate, if often shabby, mosaic work. While vacationing in Morocco, Suzanna Clarke and her husband, Sandy, are inspired to buy a dilapidated, centuries-old riad in Fez with the aim of restoring it to its original splendor, using only traditional craftsmen and handmade materials. So begins a remarkable adventure that is bewildering, at times hilarious, and ultimately immensely rewarding. A House in Fez chronicles their meticulous restoration, but it is also a journey into Moroccan customs and lore and a window into the lives of its people as friendships blossom. When the riad is finally returned to its former glory, Suzanna finds she has not just restored an old house, but also her soul.

Originally published in 1955, Paul Bowles’s remarkable novel set in Fez, Morocco, during the last days of the French colonial empire, is an expansive piece of writing—vintage Bowles "With its atmosphere of sinister tension, its scenes of nationalist conspiracy and French police action, of escape and pursuit in the Arab quarter, The Spider's House reads for stretches like a first-class political thriller." -New York Times The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles’s writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country’s 1954 nationalist uprising. Totally relevant to today’s political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider’s House is perhaps Bowles’s best, most beautifully subtle novel.

Fez: City of Islam is undoubtedly one of Titus Burckhardt's masterpieces. It conveys a profound understanding of the sacred roots that nourish Islamic culture and civilisation. As a young man in the 1930s, Burckhardt spent some years in Morocco where he became acquainted with several remarkable representatives of the spiritual heritage of the Maghrib. Although he committed much of this experience to writing, it was not until the 1950s that these writings were developed into a book. In Fez: City of Islam, Burckhardt writes of the history of a people and their religion--a history that was often violent, often heroic and sometimes holy. The book relates the teachings, parables and miracles of the saints of many centuries and demonstrates not only the arts and crafts of Islamic civilisation, but also its sciences and administrative skills. Burckhardt's unique black and white photographs from the 1930s are included. In addition 41 new colour illustrations have been specially selected to enhance Burckhardt's originals. Here, text and illustrations come together to provide an insight into the way the life of a people can be transformed at every level by a religious tradition.

By turns hilarious and harrowing, this work by an acclaimed English travel writer is the story of his family's move from the gray skies of London to the sun-drenched city of Casablanca, where Islamic tradition and African folklore converge--and nothing is as easy as it seems.

In the postcolonial era, Arab societies have been ruled by a variety of authoritarian regimes. Focusing on his native Morocco, Abdellah Hammoudi explores the ideological and cultural foundations of this persistent authoritarianism. Building on the work of Foucault, Hammoudi argues that at the heart of Moroccan culture lies a paradigm of authority that juxtaposes absolute authority against absolute submission. Rooted in Islamic mysticism, this paradigm can be observed in the drama of mystic initiation, with its fundamental dialectic between Master and Disciple; in conflict with other cultural forms, and reelaborated in colonial and postcolonial circumstances, it informs all major aspects of Moroccan personal, political, and gender relations. Its influence is so pervasive and so firmly embedded that it ultimately legitimizes the authoritarian structure of power. Hammoudi contends that as long as the Master-Disciple dialectic remains the dominant paradigm of power relations, male authoritarianism will prevail as the dominant political form. "Connecting political domination to gift exchange, ritual initiation, social loyalty, and gender reversals, Master and Disciple is nothing less than a thoroughgoing revision of our understanding of authoritarian rule in Morocco and in the Arab world in general."—Clifford Geertz, Institute for Advanced Study

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I wanted to buy a house in Morocco, because I wanted to explore Islamic culture further. I knew that people in Western countries view Muslim nations as a monolithic bloc, but there are many cultural differences between them. #2 In 2003, Sandy and I began saving money to buy a house in Fez. We planned to get ourselves back there without dipping into the escape fund. We had taken holiday jobs as tour managers for a small group of well-heeled tourists in France and the UK, and we proposed Morocco as a destination. #3 I met with the website’s author, David Amster, one night. He was from Chicago and had lived in Fez for seven years. He was a passionate advocate for the traditional architecture of the Medina, and he had five houses there.

Tells the extraordinary story of a feudal fiefdom in southern Morocco in the early twentieth century.