A Hollywood Deal

A simple deal... Complicated emotions...I'm used to cleaning up after my boss, Hollywood superstar and all-around bad boy Ryder Pryce-Reed. Nothing can shock me now--not the countless "humped and dumped" women or the wreckage left in the wake of his wild ways--until he asks me to marry him......for a year.He says it's strictly so he can claim his beloved grandfather's painting, but I know there's more. There's always more with Ryder.My instincts say no, but he's offering to take care of the baby in my womb. Since my self-centered ex isn't going to play the father, I say yes, while steeling my heart. I can't afford to fall for a man who only wants me for a year.But how can I resist the sexiest man alive when he turns on his formidable charm to give everyone a good show? And how does a simple girl like me deal with the spotlight as his fiancée...or the scandal that explodes in our faces?

Romance story of a Hollywood superstar and his assistant.

A guide to negotiating a deal for film, television, or new media that covers key players, terminology, option-purchase rights, creating employment deals, working out distribution deals and rights, specifying net profit and box-office bonuses, and other related topics.

Ryder Pryce-Reed. Billionaire. Hollywood superstar. The man every man wants to be. The man every woman wants to have.I am about to become his bride...but only so he can claim his grandfather's legacy. The world is furious that he will belong to a working girl as ordinary as me.Our deal was supposed to be simple. I marry him for a year; he ensures that my unborn child and I are taken care of.But now everything's complicated. We can't keep our hands off each other. Enemies, both past and present, want to tear us apart. And...I'm in love with Ryder.How do you keep a man everyone says isn't yours to keep?

A ground-breaking exploration of the entertainment industry's role in promoting New Deal ideology in the thirties.

$50 Billion of Advice in One Book* Have you ever wondered why some books and stories are adapted into movies, and others aren't? Or wished you could sit down and pick the brains of the people whose stories have been adapted--or the screenwriters, producers, and directors who adapted them? Author John Robert Marlow has done it for you. He spoke to book authors, playwrights, comic book creators and publishers, as well as Hollywood screenwriters, producers and directors responsible for adapting fictional and true stories into Emmy-winning TV shows, Oscar-winning films, billion-dollar megahits and smaller independents. Then he talked to the entertainment attorneys who made the deals. He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to write and pitch your story to maximize the chances of a Hollywood adaptation--and how much (and when) you can expect to be paid. *This book contains the distilled experience of creators, storytellers and others whose works have earned over $50 billion worldwide. Whether you're looking to sell film rights, adapt your own story (alone or with help), or option and adapt someone else's property--this book is for you.

(Limelight). A Killer Life is a book about just that: the killer life of an alternative film producer who's forged her own path of success between the disparate pillars of art and commerce. Strong, steady, creative, loyal, funny, artistic, and doggedly determined to produce films that have meaning and substance and staying power in the pantheon of great cinema, Christine Vachon, a member of the Academy and born and bred on the realistic, unforgiving streets of New York City, is one of the most important people working behind the scenes in the film industry today. How did she get there? Why do directors love her? What does it take to produce great movies? What happened on the set of Kids ? These answers and more are in her book!

Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.

When a young screenwriter goes online to check out the promotional website for a new poker movie called Rounders, he’s shocked to discover how similar it is to a screenplay he wrote a few years earlier and submitted to a number of studios. When he later sees the Miramax-produced film in theaters, he is astonished by the number of overlapping elements—the protagonist playing Texas Hold ’em to pay his way through college while deceiving the girlfriend who believes he’s quit, the loss of everything he has in a single hand of high-stakes Hold ’em, a character named “Worm,” and many other commonalities that form the foundation of what will become his lawsuit against Miramax. He leaves the theater that day feeling that not only has the studio stolen his script, but his life, which had encompassed years of professional poker playing that informed the screenplay he hoped would open the door to a writing career in Hollywood. Against all odds, he proceeds to take on Miramax and the Hollywood system with the help of an ingenious lawyer. Jeffrey Grosso simply has to prove how it could have happened and convince a judicial system that often favors studios over writers that he’s a victim of intellectual property theft, which results in a ten-year landmark legal battle against Hollywood’s most notorious studio. Part comic legal thriller, part nail-biting poker memoir, Dirty Dealing: Grosso v. Miramax—Waging War Against Harvey Weinstein, and the Screenplay that Changed Hollywood is the entertaining look at one man’s fight to get the credit he believes he deserves. Does he have a case or are the similarities just an illusion the mind plays on a creator? Perhaps there are only five stories in Hollywood, as his lawyer points out, and no idea is truly original. You be the judge.

#1 NATIONAL BESTSELLER * NEW YORK TIMES BESTSELLER “Terrifying…buckle up for a chilling summer read.” —People (Best Books of the Week) “The perfect thriller! A must-read.” —Gillian Flynn “Stunning and relentless. This is Jaws at 35,000 feet.” —Don Winslow You just boarded a flight to New York. There are one hundred and forty-three other passengers onboard. What you don’t know is that thirty minutes before the flight your pilot’s family was kidnapped. For his family to live, everyone on your plane must die. The only way the family will survive is if the pilot follows his orders and crashes the plane. Enjoy the flight.