A History Of The 35 Mm Still Camera

"Few inventions have had as powerful an influence as the camera, and few modes of expression have enjoyed the enduring artistic, scientific, and popular appeal of photography. We are so focused on the products of the camera, the indelible images marking our lives and times, that it's easy to forget the instrument itself has a history. Now that history has been comprehensively traced for photography buffs and amateurs alike by Todd Gustavson, Curator of Technology at George Eastman House. In this ... volume, hundreds of new and archival images from George Eastman House bring the story to life and provide an unmatched reference source. Vast in its scope, this ... book is an in-depth visual and narrative look at the camera, and consequently photography itself"--Jacket.

In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.

The golden age of the American 35mm camera coincided with three tumultuous decades in United States History. Born in the Depression years of the 1930s, the American 35mm reached its maturity during World War II. In the span of only three decades, a toy of the rich became a household gadget. In Glass, Brass, and Chrome Kalton C. Lahue and Joseph Bailey present an absorbing, nostalgic account of American 35mm hardware, its evolution, and the role it played in making photography the number-one hobby in the United States. The golden age of the American 35mm camera coincided with three tumultuous decades in United States History. Born in the Depression years of the 1930s, the American 35mm reached its maturity during World War II. In the span of only three decades, a toy of the rich became a household gadget. Glass, Brass, and Chrome Kalton C. Lahue and Joseph Bailey present an absorbing, nostalgic account of American 35mm hardware, its evolution, and the role it played in making photography the number-one hobby in the United States.

"This study analyses certain aspects of the relationship between culture and technology by using the example of the 35mm still photographic camera. Methodologically, the study integrates two perspectives in communication theory, namely diffusion of innovation and cultural studies. The study consists of five segments. First, the need for technological innovation is defined in terms of developing social formations. Secondly, the history of photographic research and development is traced in terms of various models of industrial development, and in terms of the horizontal and vertical integration of manufacturing. The commercialization of the camera is treated in relation to the history of markets, and their disturbances by war and other political developments. Next, the study provides an analysis of specialty magazine advertising as it relates to the 35mm camera. Finally, the adoption and utilization of this new technology are discussed in terms of the competing interests of various social formations in modern society." --

A short but fact-filled discussion of the classic 35mm camera, its history, its evolution, its demise. Filled with color photos of cameras from Japan, Germany, Soviet Union. A good source for the beginning photographer or student. Especially valuable is a how-to on taking photos and an extensive glossary of photography terms.

In 1888, Thomas Edison announced that he was experimenting on "an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion." Just as Edison's investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation and reception that have framed the development of moving images in the last 100 years. Three concerns are of particular interest: the contexts of innovation and reception for moving image technologies; the role of the observer, whose vision and cognitive processes define some of the limits of inquiry and epistemological insight; and the role of new media, which, engaging with the domestic sphere as cultural interface, are transforming our understanding of public and private spheres. The 17 previously unpublished essays in Moving Images represent the best of current research in the history of this field. They make a timely and stimulating contribution to debates concerning the impact of new media on the history of cinema. Contributors include: William Boddy, Carlos Bustamante, Warren Buckland, Valeria Camporesi, Bent Fausing, Oliver Gaycken, Alison Griffiths, Christopher Hales, Jan Holmberg, Solveig Jülich, Frank Kessler, Jay Moman, Sheila C. Murphy, Pelle Snickars, Paul C. Spehr, Björn Thuresson, and Åke Walldius.

A photography Log Book that will help you capture camera settings and shooting information. The Log Book has tables designed for cameras that use 35mm film (135). Plus notes to help you get the most from the Photography Log Book. Each page/table holds information for 12 exposures. There are sufficient pages to capture 288 exposures - equivalent to 12 rolls of 24 exposure films. Take the book with you and record the vital information so that you can review your results when the film is developed. Use this log to improve your photography skills and understand better how to use your film cameras. Makes a great present for any Film Photographer. Capture exposure information for every shot you make Optimised tables for 35mm cameras - 12 rows per page Sufficient pages to capture 288 exposures - equivalent to 12 rolls of 24 exposure films. Additional pages for notes and references Handy guide and suggestions to help you get the most from the Log Book Review and improve your photography skills A great gift for film photographers

The lens is generally the most expensive and least understood part of any camera. In this book, Rudolf Kingslake traces the historical development of the various types of lenses from Daguerre's invention of photography in 1839 through lenses commonly used today. From an early lens still being manufactured for use in low-cost cameras to designs made possible through such innovations as lens coating, rare-earth glasses, and computer aided lens design and testing, the author details each major advance in design and fabrication. The book explains how and why each new lens type was developed, and why most of them have since been abandoned. This authoritative history of lens technology also includes brief biographies of several outstanding lens designers and manufacturers of the past.