A History Of Fear

This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder. Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it. When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted the nation for years: was Hale a lunatic, or had he been telling the truth all along? The first-person narrative reveals an acerbic young atheist, newly enrolled at the University of Edinburgh to carry on the legacy of his recently deceased father. In need of cash, he takes a job ghostwriting a mysterious book for a dark stranger—but he has misgivings when the project begins to reawaken his satanophobia, a rare condition that causes him to live in terror that the Devil is after him. As he struggles to disentangle fact from fear, Grayson’s world is turned upside-down after events force him to confront his growing suspicion that he’s working for the one he has feared all this time—and that the book is only the beginning of their partnership. “A modern-day Gothic tale with claws” (Jennifer Fawcett, author of Beneath the Stairs), A History of Fear marries dread-inducing atmosphere with heart-palpitating storytelling.

Fear is one of the most basic and most powerful of all the human emotions. Sometimes it is hauntingly specific: flames searing patterns on the ceiling, a hydrogen bomb, a terrorist. More often, anxiety overwhelms us from some source within: there is an irrational panic about venturing outside, a dread of failure, a premonition of doom. In this astonishing book we encounter the fears and anxieties of hundreds of British and American men, women and children. From fear of the crowd to agoraphobia, from battle experiences to fear of nuclear attack, from cancer to AIDS, this is an utterly original insight into the mindset of the twentieth century from one of most brilliant historians and thinkers of our time.

Winner of the Anisfield-Wolf Book Award A Bloomberg Best Nonfiction Book of 2021 A startling work of historical sleuthing and synthesis, Of Fear and Strangers reveals the forgotten histories of xenophobia—and what they mean for us today. By 2016, it was impossible to ignore an international resurgence of xenophobia. What had happened? Looking for clues, psychiatrist and historian George Makari started out in search of the idea’s origins. To his astonishment, he discovered an unfolding series of never-told stories. While a fear and hatred of strangers may be ancient, he found that the notion of a dangerous bias called "xenophobia" arose not so long ago. Coined by late-nineteenth-century doctors and political commentators and popularized by an eccentric stenographer, xenophobia emerged alongside Western nationalism, colonialism, mass migration, and genocide. Makari chronicles the concept’s rise, from its popularization and perverse misuse to its spread as an ethical principle in the wake of a series of calamites that culminated in the Holocaust, and its sudden reappearance in the twenty-first century. He investigates xenophobia’s evolution through the writings of figures such as Joseph Conrad, Albert Camus, and Richard Wright, and innovators like Walter Lippmann, Sigmund Freud, Jean-Paul Sartre, Simone de Beauvoir, and Frantz Fanon. Weaving together history, philosophy, and psychology, Makari offers insights into varied, related ideas such as the conditioned response, the stereotype, projection, the Authoritarian Personality, the Other, and institutional bias. Masterful, original, and elegantly written, Of Fear and Strangers offers us a unifying paradigm by which we might more clearly comprehend how irrational anxiety and contests over identity sweep up groups and lead to the dark headlines of division so prevalent today.

This book sets the notorious European witch trials in the widest and deepest possible perspective and traces the major historiographical developments of witchcraft

These include Nobel Prize-winner Eli Metchnikoff, who advised that yogurt would enable people to live to be 140, and Elmer McCollum, the "discoverer" of vitamins, who tailored his warnings about vitamin deficiencies to suit the food producers who funded him. Levenstein also highlights how large food companies have taken advantage of these concerns by marketing their products to combat the fear of the moment. Such examples include the co-opting of the "natural foods" movement, which grew out of the belief that inhabitants of a remote Himalayan Shangri-la enjoyed remarkable health by avoiding the very kinds of processed food these corporations produced, and the physiologist Ancel Keys, originator of the Mediterranean Diet, who provided the basis for a powerful coalition of scientists, doctors, food producers, and others to convince Americans that high-fat foods were deadly.

What are the real disease entities in psychiatry? This is a question that has bedeviled the study of the mind for more than a century yet it is low on the research agenda of psychiatry. Basic science issues such as neuroimaging, neurochemistry, and genetics carry the day instead. There is nothing wrong with basic science research, but before studying the role of brain circuits or cerebral chemistry, shouldn't we be able to specify how the various diseases present clinically? Catatonia is a human behavioral syndrome that for almost a century was buried in the poorly designated psychiatric concept of schizophrenia. Its symptoms are well-know, and some of them are serious. Catatonic patients may die as their temperatures accelerate; they become dehydrated because they refuse to drink; they risk inanition because they refuse to eat or move. Autistic children with catatonia may hit themselves repeatedly in the head. We don't really know what catatonia is, in the sense that we know what pneumonia is. But we can identify it, and it is eminently treatable. Clinicians can make these patients better on a reliable basis. There are few other disease entities in psychiatry of which this is true. So why has there been so little psychiatric interest in catatonia? Why is it simply not on the radar of most clinicians? Catatonia actually occurs in a number of other medical illnesses as well, but it is certainly not on the radar of most internists or emergency physicians. In The Madness of Fear, Drs. Shorter and Fink seek to understand why this "vast field of ignorance" exists. In the history of catatonia, they see a remarkable story about how medicine flounders, and then seems to find its way. And it may help doctors, and the public, to recognize catatonia as one of the core illnesses in psychiatry.

For many commentators, September 11 inaugurated a new era of fear. But as Corey Robin shows in his unsettling tour of the Western imagination--the first intellectual history of its kind--fear has shaped our politics and culture since time immemorial. From the Garden of Eden to the Gulag Archipelago to today's headlines, Robin traces our growing fascination with political danger and disaster. As our faith in positive political principles recedes, he argues, we turn to fear as the justifying language of public life. We may not know the good, but we do know the bad. So we cling to fear, abandoning the quest for justice, equality, and freedom. But as fear becomes our intimate, we understand it less. In a startling reexamination of fear's greatest modern interpreters--Hobbes, Montesquieu, Tocqueville, and Arendt--Robin finds that writers since the eighteenth century have systematically obscured fear's political dimensions, diverting attention from the public and private authorities who sponsor and benefit from it. For fear, Robin insists, is an exemplary instrument of repression--in the public and private sector. Nowhere is this politically repressive fear--and its evasion--more evident than in contemporary America. In his final chapters, Robin accuses our leading scholars and critics of ignoring "Fear, American Style," which, as he shows, is the fruit of our most prized inheritances--the Constitution and the free market. With danger playing an increasing role in our daily lives and justifying a growing number of government policies, Robin's Fear offers a bracing, and necessary, antidote to our contemporary culture of fear.

It wasn’t until she was nineteen that Agata Tuszyńska, one of Poland’s most admired poets and cultural historians, discovered that she was Jewish. In this profoundly moving and resonant work, she uncovers the truth about her family’s history—a mother who entered the Warsaw Ghetto at age eight and escaped just before the uprising; a father, one of five thousand Polish soldiers taken prisoner in 1939, who would become the country’s most famous radio sports announcer; and other relatives and their mysterious pasts—as she tries to make sense of anti-Semitism in her country. The poignant story of one woman coming to terms with herself, Family History of Fear is also a searing portrait of Polish Jewish life, before and after Hitler’s Third Reich.

Our thinking is inhabited by images-images of sometimes curious and overwhelming power. The mushroom cloud, weird rays that can transform the flesh, the twilight world following a nuclear war, the white city of the future, the brilliant but mad scientist who plots to destroy the world-all these images and more relate to nuclear energy, but that is not their only common bond. Decades before the first atom bomb exploded, a web of symbols with surprising linkages was fully formed in the public mind. The strange kinship of these symbols can be traced back, not only to medieval symbolism, but still deeper into experiences common to all of us. This is a disturbing book: it shows that much of what we believe about nuclear energy is not based on facts, but on a complex tangle of imagery suffused with emotions and rooted in the distant past. Nuclear Fear is the first work to explore all the symbolism attached to nuclear bombs, and to civilian nuclear energy as well, employing the powerful tools of history as well as findings from psychology, sociology, and even anthropology. The story runs from the turn of the century to the present day, following the scientists and journalists, the filmmakers and novelists, the officials and politicians of many nations who shaped the way people think about nuclear devices. The author, a historian who also holds a Ph.D. in physics, has been able to separate genuine scientific knowledge about nuclear energy and radiation from the luxuriant mythology that obscures them. In revealing the history of nuclear imagery, Weart conveys the hopeful message that once we understand how this imagery has secretly influenced history and our own thinking, we can move on to a clearer view of the choices that confront our civilization. Table of Contents: Preface Part One: Years of Fantasy, 1902-1938 1. Radioactive Hopes White Cities of the Future Missionaries for Science The Meaning of Transmutation 2. Radioactive Fears Scientific Doomsdays The Dangerous Scientist Scientists and Weapons Debating the Scientist's Role 3. Radium: Elixir or Poison? The Elixir of Life Rays of Life Death Rays Radium as Medicine and Poison 4. The Secret, the Master, and the Monster Smashing Atoms The Fearful Master Monsters and Victims Real Scientists The Situation before Fission Part Two: Confronting Reality, 1939-1952 5. Where Earth and Heaven Meet Imaginary Bomb-Reactors Real Reactors and Safety Questions Planned Massacres "The Second Coming" 6. The News from Hiroshima Cliché Experts Hiroshima Itself Security through Control by Scientists? Security through Control over Scientists? 7. National Defenses Civil Defenses Bombs as a Psychological Weapon The Airmen Part Three: New Hopes and Horrors, 1953-1963 8. Atoms for Peace A Positive Alternative Atomic Propaganda Abroad Atomic Propaganda at Home 9. Good and Bad Atoms Magical Atoms Real Reactors The Core of Mistrust Tainted Authorities 10. The New Blasphemy Bombs as a Violation of Nature Radioactive Monsters Blaming Authorities 11. Death Dust Crusaders against Contamination A Few Facts Clean or Filthy Bombs? 12. The Imagination of Survival Visions of the End Survivors as Savages The Victory of the Victim The Great Thermonuclear Strategy Debate The World as Hiroshima 13. The Politics of Survival The Movement Attacking the Warriors Running for Shelter Cuban Catharsis Reasons for Silence Part Four: Suspect Technology, 1956-1986 14. Fail/Safe Unwanted Explosions: Bombs Unwanted Explosions: Reactors Advertising the Maximum Accident 15. Reactor Poisons and Promises Pollution from Reactors The Public Loses Interest The Nuplex versus the China Syndrome 16. The Debate Explodes The Fight against Antimissiles Sounding the Radiation Alarm Reactors: A Surrogate for Bombs? Environmentalists Step In 17. Energy Choices Alternative Energy Sources Real Reactor Risks "It's Political" The Reactor Wars 18. Civilization or Liberation? The Logic of Authority and Its Enemies Nature versus Culture Modes of Expression The Public's Image of Nuclear Power 19. The War Fear Revival: An Unfinished Chapter Part Five The Search for Renewal 20. The Modern Arcanum Despair and Denial Help from Heaven? Objects in the Skies Mushroom and Mandala 21. Artistic Transmutations The Interior Holocaust Rebirth from Despair Toward the Four-Gated City Conclusion A Personal Note Sources and Methodology Notes Index Reviews of this book: Nuclear Fear is a rich, layered journey back through our 'atomic history' to the primal memories of monstrous mutants and mad scientists. It is a deeply serious book but written in an accessible style that reveals the culture in which this fear emerges only to be suppressed and emerge again. --Ellen Goodman, Boston Globe Reviews of this book: A historical portrait of the quintessential modern nightmare...Weart shows in meticulous and fascinating detail how [the] ancient images of alchemy-fire, sexuality, Armageddon, gold, eternity and all the rest-immediately clustered around the new science of atomic physics...There is no question that the image of nuclear power reflects a complex and deeply disturbing portrait of what it means to be human. --Stephan Salisbury, Philadelphia Inquirer Reviews of this book: A detailed, probing study of American hopes, dreams and insecurities in the twentieth-century. Weart has a poet's acumen for sensing human feelings ... Nuclear Fear remains captivating as history...and original as an anthropological study of how nuclear power, like alchemy in medieval times, offers a convenient symbol for deeply-rooted human feelings. --Los Angeles Times Reviews of this book: Weart's tale boldly sweeps from the futuristic White City of the 1893 Chicago World's Fair and the discovery of radioactivity in 1896 through Hiroshima and Star Wars... (An] admirable call for synthesis of art and science in a true transmutation that takes us beyond nuclear fear. --H. Bruce Franklin, Science