A History Of Anatomy

A unique biographical review of the global contributors to field of anatomy Knowledge of human anatomy has not always been an essential component of medical education and practice. Most European medical schools did not emphasize anatomy in their curricula until the post-Renaissance era; current knowledge was largely produced between the 16th and 20th centuries. Although not all cultures throughout history have viewed anatomy as fundamental to medicine, most have formed ideas about the internal and external mechanisms of the body—influences on the field of anatomy that are often overlooked by scholars and practitioners of Western medicine. History of Anatomy: An International Perspective explores the global and ancient origins of our modern-day understanding of anatomy, presenting detailed biographies of anatomists from varied cultural and historical settings. Chapters organized by geographic region, including Africa, the Middle East, and Europe, review the lives of those that helped shape our current understanding of the human form. Examining both celebrated and lesser-known figures, this comprehensive work examines their contributions to the discipline and helps readers develop a global perspective on a cornerstone of modern medicine and surgery. Offers a comprehensive and multidisciplinary examination of the history of anatomy Traces the emergence of modern knowledge of anatomy from ancient roots to the modern era Fills a gap in current literature on global perspectives on the history of anatomy Written by an internationally recognized team of practicing physicians and scholars History of Anatomy: An International Perspective is an engaging and insightful historical review written for anatomists, anthropologists, physicians, surgeons, medical personnel, medical students, health related professionals, historians, and anyone interested in the history of anatomy, surgery, and medicine.

This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form. For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists. Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin

First ed. published in 1925 under title: The evolution of anatomy.

Originally published in hardcover in 2006.

A vast subject that includes a strange vocabulary and an apparent mass of facts, human anatomy can at first appear confusing and off-putting. But the basic construction of the human body - the skeleton, the organs of the chest and abdomen, the nervous system, the head and neck with its sensory systems and anatomy for breathing and swallowing - is vital for anyone studying medicine, biology, and health studies. In this Very Short Introduction Leslie Klenerman provides a clear, concise, and accessible introduction to the structure, function, and main systems of the human body, including a number of clear and simple illustrations to explain the key areas. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.

A survey of the field from the publication of Vesalius' De Humani Corporis Fabrica in 1543 to the early 19th century when new legislation permitted human dissection. Written for a general readership, a selective account that treats some aspects only lightly or not at all. Among the topics that are included are the immediate successors of Vesalius at Padua, William Hunter and his legacy, professionalism and recognition, Ireland, Scotland, body snatchers and the trade in corpses, Germany, the New World, and fragments (primarily of knowledge rather than bodies) from the east. Paper edition (unseen), $75.95. Annotation copyrighted by Book News, Inc., Portland, OR

Gray's Anatomy is probably one of the most iconic scientific books ever published: an illustrated textbook of anatomy that is still a household name 150 years since its first edition, known for its rigorously scientific text, and masterful illustrations as beautiful as they are detailed. The Making of Mr Gray's Anatomy tells the story of the creation of this remarkable book, and the individuals who made it happen: Henry Gray, the bright and ambitious physiologist, poised for medical fame and fortune, who was the book's author; Carter, the brilliant young illustrator, lacking Gray's social advantages, shy and inclined to religious introspection; and the publishers - Parkers, father and son, the father eager to employ new technology, the son part of a lively circle of intellectuals. It is the story of changing attitudes in the mid-19th century; of the social impact of science, the changing status of medicine; of poverty and class; of craftsmanship and technology. And it all unfolds in the atmospheric milieu of Victorian London - taking the reader from the smart townhouses of Belgravia, to the dissection room of St George's Hospital, and to the workhouses and mortuaries where we meet the friendless poor who would ultimately be immortalised in Carter's engravings. Alongside the story of the making of the book itself, Ruth Richardson reflects on what made Gray's Anatomy such a unique intellectual, artistic, and cultural achievement - how it represented a summation of a long half century's blossoming of anatomical knowledge and exploration, and how it appeared just at the right time to become the 'Doctor's Bible' for generations of medics to follow.

Many advances in medicine and surgery can be directly linked to improvements in understanding the structure and function of the human body. During the sixteenth century, the study of human anatomy became an objective discipline, based on direct observation and scientific principles. Not surprisingly, the study of human anatomy has progressed to its universal acceptance and recognition as a scientific discipline, essential for the practice of modern medicine. This revised and expanded edition presents anatomy from antiquity to the modern times. In this book, the authors present many scholars and teachers; the time periods, places, and impact of their work; controversies in anatomy; and advances in the discipline. These topics run the gamut from early pioneers in the art to the development of techniques that have propelled the study of anatomy to its current state. The authors have attempted to present the "big picture" regarding the historic anatomists and movements that have shaped our current understanding of what we now call "medical anatomy." This beautifully illustrated edition spans nearly four centuries of medical history. It was a period of spectacular achievements during which many great medical personalities lived, made important anatomical discoveries, and produced impressive treatises. With the sheer volume of historical anatomy literature available, the authors followed a somewhat eclectic and selective course in presenting the most significant material in this work. As even now man continues to learn about the structure of his body with new and noninvasive technologies such as MRI, uncovering parts of the human anatomy never seen before, the study of the history of anatomy therefore continues alongside the study of anatomy as a scientific discipline without obvious end.