A Historian Looks Back

An inspiring collection of a historian's work on the history of mathematics.

From Plymouth Rock to Quincy granite, the South Shore of Boston has been a place of revolution, relaxation and revelation. Artists have gained inspiration from the meeting of sea and shore, enemy navies have targeted its strategic ports and, in better days, merrymakers have sought its warming sun, cooling breezes, amusement parks and historic and natural landmarks. The Toll House Cookie, the song "When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)" and the U.S. Navy's rallying cry "Don't give up the ship " all were South Shore born. John Galluzzo, author of "The North River: Scenic Waterway of the South Shore" and "When Hull Freezes Over," gathers the best of his "Look Back" column in this compilation of historic vignettes from "South Shore Living" magazine.

"A masterly quarter-century of commentary on the discipline of American history."—Allen D. Boyer, New York Times Book Review "This book amounts to an intellectual autobiography....These pieces are thus a statement of what I have thought about early Americans during nearly seventy years in their company," writes historian Edmund S. Morgan in the introduction to this landmark collection. The Genuine Article gathers together twenty-five of Morgan's finest essays over forty years, commenting brilliantly on everything from Jamestown to James Madison. In revealing the private lives of "Those Sexy Puritans" and "The Price of Honor" on Southern plantations, The Genuine Article details the daily lives of early Americans, along with "The Great Political Fiction" that continues to this day. As one of our most celebrated historians, Morgan's characteristic insight and penetrating wisdom are not to be missed in this extraordinarily rich portrait of early America and its Founding Fathers.

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.

How should historians speak truth to power – and why does it matter? Why is five hundred years better than five months or five years as a planning horizon? And why is history – especially long-term history – so essential to understanding the multiple pasts which gave rise to our conflicted present? The History Manifesto is a call to arms to historians and everyone interested in the role of history in contemporary society. Leading historians Jo Guldi and David Armitage identify a recent shift back to longer-term narratives, following many decades of increasing specialisation, which they argue is vital for the future of historical scholarship and how it is communicated. This provocative and thoughtful book makes an important intervention in the debate about the role of history and the humanities in a digital age. It will provoke discussion among policymakers, activists and entrepreneurs as well as ordinary listeners, viewers, readers, students and teachers. This title is also available as Open Access.

In the controversy over the role of women in the church, complementarians/hierarchists routinely claim to be upholding the "traditional" position. Like the little boy who declared that "the emperor has no clothes," J. G. Brown exposes the fallacies in this claim. The authentic traditional interpretation of passages such as 1 Timothy 2:11-14 differs substantially from contemporary readings, whether egalitarian or hierarchist. Most prominent Protestant exegetes--from Luther and Calvin through those in the early nineteenth century--understood creation ordinances (male headship/female subordination) as foundational to the temporal world, not the church. An Historian Looks at 1 Timothy 2:11-14 brings history and theology together in a fresh way, with startling implications for the ongoing debate.

In this thought-provoking study (Library Journal ), historian Kyle Ward-the widely acclaimed co-author of History Lessons-gives us another fascinating look at the biases inherent in the way we learn about our history. Juxtaposing passages from...