A Gregorian Chant Coloring Book For Children And Adults

This book is printed in color as a guide to teachers using the method, and includes teacher's notes.The staff, clefs, notes and more about chant are presented in an innovative manner that builds on the fact that at one time the Gregorian Chant music staff of four lines was drawn using green ink for DO and red ink for FA. Expanding this idea to include clefs and notes, while coloring students of chant learn how to read and sing chant with the half-steps of the chant scales firmly visualized, making the transition to reading chant from books printed in black ink very easy.All the books by Basic Chant use very large notes for chant since this was how they were created and used by singers for hundreds of years as singers grouped around one large book to sing. The notes and signs of chant can be hard to read in modern printed books but after learning them in large form, it becomes much easier to sing them from modern editions.

Recapture the historic grandeur of medieval art with lovingly detailed reproductions ranging from the creation of Eve to the Hundred Years' War. Thirty images include Christian, Muslim, Jewish, and secular sources.

What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.

A simple and friendly guide to reading chant notation, the easiest guide in print to make help you learn to read Gregorian Chant fast. We do this by printing out the notes and signs as big as they were back in medieval days. Big notes are easier to read and remember. And when you open the Parish Book of Chant or the Liber Usualis you'll be able to read the notes. In Gregorian Chant notes are arranged like a train....each note or grouping has a clear purpose and when connected to its neighbors makes up a melody. Join the new schola at your church or school and find yourself confident and comfortable reading Gregorian Chant. Reviews: This was a great refresher, it's been years since I sang chant and this brought it all back to me fast! Our schola appreciates how effective this book is, seeing these big notes makes it so much easier to recognize them in today's small printed pages that we usually find in churches.

Imagine a group of kids on the floor of a gym, or filling a classroom, or on a weekend retreat, praying in a whole new way--so silently that you can hear a pin drop! It happens everyday with Praying in Color.

“The extreme greatness of Christianity lies in the fact that it does not seek a supernatural remedy for suffering, but a supernatural use for it.” –Simone Weil “Like most people I, too, have been blindsided by personal grief now and again over the years. And I have an increasingly keen sense that, wherever I am, someone nearby is suffering now. For that reason, I lately have settled in to mull the matter over, gathering my troubled wits to undertake a difficult essay, more like what we used to call an assay, really—an earnest inquiry. I am thinking of it just now as a study in suffering, by which I hope to find some sense in affliction, hoping—just as I have come to hope about experience in general—to make something of it.” –from the book Is there meaning in our afflictions? With the thoughtfulness of a pilgrim and the prose of a poet, Scott Cairns takes us on a soul-baring journey through “the puzzlement of our afflictions.” Probing ancient Christian wisdom for revelation in his own pain, Cairns challenges us toward a radical revision of the full meaning and breadth of human suffering. Clear-eyed and unsparingly honest, this new addition to the literature of suffering is reminiscent of The Year of Magical Thinking as well as the works of C. S. Lewis. Cairns points us toward hope in the seasons of our afflictions, because “in those trials in our lives that we do not choose but press through—a stillness, a calm, and a hope become available to us.”

The Catholic Education Series, Music, Fourth Year Children's Manual.

The dichotomy of this book juxtaposes success and failure while solidifying the truth that walking with God is not conflict free because the essential nature of man is a unity of two (dichotomy) distinct realities, one physical (body) and spiritual (soul, spirit, mind). When the question is asked, What is the mind? The authors present a logical case for linking the paradigms of the mind from theology (truth) to philosophy (the search for truth) to provide a deeper understanding of two opposing forces that cause the battle between the desires of the flesh and the will of the spirit