A General History Of The Science And Practice Of Music Vol 2 Classic Reprint

Excerpt from A General History of the Science and Practice of Music, Vol. 2 The foregoing account may suffice to shew the design and method of Morley's Introduction to Music, a work for which all who love or practice the science are under the highest obligations to its author. John Caspar Trost, organist of the church of St. Martin at Halberstadt, a learned musician of the last century, translated it into the German language, and published it in folio, with the title of Musica Practica. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from General History of the Science and Practice of Music, Vol. 2 As to. The formulary itfelf, we meet with one called theufe ofsaruni, tranllated into Englilh by Miles Coverdale, bilhop of Exeter, in the Acts and Monuments of Fox, vol. III. Pag. 3, which in truth is but a partial reprefentation of the fubjefi; for the Ufe of Saturn not only-re gulated the form and order 05 celebrating the mafs, but prefcribed the rule and office for all the facetdotal funetions; and theta are contained in feparate and dif'tinelz volumes, as the Mifll'tl itfelf, printed by Richard Hamillon, anno 1554; the Manual, by Francis Regnault, at Paris, anno 1530; Hymns, with the notes, by john Kynglton and Henry Sutton, Lond. 1555 nho Primer, and other compilations; all which are exprelly (aid to be ad ufum ecclelize Sarifburienfis.' Sir Henry Spelman feems to have followed Fox rather implicitly in the explana tion which he gives of'the Ufe of Saturn in his Gloflary, pag. 50x. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from A General History of the Science and Practice of Music, Vol. 1 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A General History of the Science and Practice of Music, Vol. 1 of 5 The natural media feem to confifi only in colour and figure, and refer ro1e to painting: the artificial are words, which are fymbols by compaa of ideas, as are alfo, in a limited fenfe, mufical fcunds, including in the term the accident of time or duration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A General History of the Science and Practice of Music: Supplementary Volume of Portraits About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.