A Garland For Isabella

Lord writes an honest and revealing memoir of what it was like to grow up in the shadow of her famous father, the pioneering realist Hamlin Garland, whose first collection of stories, "Main-Travelled Roads" (1891), shocked the nation in its unabashed portrait of harsh Midwestern farms.

The internationally bestselling author of The Rose Labyrinth returns with a love story of magic and healing that takes readers from the heartache of a young human rights lawyer in present-day San Francisco to the lives of a courageous trio of women in medieval Tuscany. A legendary ruin. An ancient mystery. Will unveiling the past transform the future? San Francisco, 2007. Madeline Moretti is grieving after her fiancé's death. Nothing brings her joy any more, and Maddie’s grandmother, a fiery Italian, sends her to Tuscany to heal. Here, Maddie is immersed in the mystery of a ruined villa. Destroyed centuries ago in a legendary storm on the Eve of St. Agnes, it has been known ever since as the Casa al Vento—the House of the Wind. Tuscany, 1347. Mia hasn’t spoken since her mother’s death and lives in silence with her beloved aunt. One dark night, a couple seeks refuge in their villa. Accustomed to welcoming passing pilgrims, Mia is entranced by the young bride’s radiance and compassion but mystified by her reluctance to reveal even her name. Where has she come from, and why must her presence be a secret? Centuries apart, each searching for a way to step into her future, both Mia and Maddie will be haunted by the myth of the young woman who walked unscathed from the ruins of the House of the Wind.

Hamlin Garland, a Pulitzer Prize-winner and author of more than forty books, was a central figure in American literary life for half a century. He was intimately involved with many of the major literary, social, and artistic movements in American culture, and his extensive correspondence with the intellectual leaders of American culture was almost unparalleled in scope. This volume brings together a rich, representative sample of Garland?s letters. They are addressed to an impressive roster of individuals: Samuel Clemens, William Dean Howells, Walt Whitman, Zona Gale, Theodore Roosevelt, Van Wyck Brooks, Howard Mumford Jones, Brander Matthews, Stephen Crane, George Washington Cable, and many others. The letters touch on an equally broad range of subjects, from the U.S. government?s reprehensible treatment of Native Americans to environmental issues to the major literary figures and controversies of Garland?s day. Frank, opinionated, and wide-ranging, Garland?s letters provide a valuable and entertaining portrait of American cultural and intellectual life in the years between 1890 and 1940.

First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.

Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625. Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Achelo�s, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. This is the first such publication to fully address and reproduce these works in depth.