A Fractious Embrace

A vibrant critical exchange between contemporary art and Christianity is being increasingly prompted by an expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, this book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? What viable language or strategies can be formulated to understand and analyse art's role within the church? Focusing on concepts drawn from anthropology, comparative religion, art theory, theology and philosophy, this book formulates a lexicon of terms built around the notion of encounter in order to review the effective uses and experience of contemporary art in churches. The author concludes with the prognosis that art for the church has reached a critical and decisive phase in its history, testing the assumption that contemporary art should be a taken-for-granted element of modern church life. Art and the Church: A Fractious Embrace uniquely combines conceptual analysis, critical case studies and practical application in a rigorous and inventive manner, dealing specifically with contemporary art of the past twenty-five years, and the most recent developments in the church's policies for the arts.

A vibrant critical exchange between contemporary art and Christianity is being increasingly prompted by an expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, this book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? What viable language or strategies can be formulated to understand and analyse art's role within the church? Focusing on concepts drawn from anthropology, comparative religion, art theory, theology and philosophy, this book formulates a lexicon of terms built around the notion of encounter in order to review the effective uses and experience of contemporary art in churches. The author concludes with the prognosis that art for the church has reached a critical and decisive phase in its history, testing the assumption that contemporary art should be a taken-for-granted element of modern church life. Art and the Church: A Fractious Embrace uniquely combines conceptual analysis, critical case studies and practical application in a rigorous and inventive manner, dealing specifically with contemporary art of the past twenty-five years, and the most recent developments in the church's policies for the arts.

A vibrant critical exchange between contemporary art and Christianity is being increasingly prompted by an expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, this book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? What viable language or strategies can be formulated to understand and analyse art's role within the church? Focusing on concepts drawn from anthropology, comparative religion, art theory, theology and philosophy, this book formulates a lexicon of terms built around the notion of encounter in order to review the effective uses and experience of contemporary art in churches. The author concludes with the prognosis that art for the church has reached a critical and decisive phase in its history, testing the assumption that contemporary art should be a taken-for-granted element of modern church life. Art and the Church: A Fractious Embrace uniquely combines conceptual analysis, critical case studies and practical application in a rigorous and inventive manner, dealing specifically with contemporary art of the past twenty-five years, and the most recent developments in the church's policies for the arts.

Less than a year before two planes slammed into the World Trade Center, the 2000 presidential election produced not just the blue-and-red electoral map but also revealed the fractured nation that those totemic colors represent. And from the cultural wars to immigration restriction, from the Christian right to political correctness, recent decades have witnessed much hand-wringing on the left and the right about the fragmentation of American life. The Fractious Nation? enlists the critical intelligence of fourteen distinguished contributors who illuminate the schisms in American life and the often volatile debates they have inspired in the realms of culture, ethnic and racial pluralism, and political life. "This collection of essays offers a bracing challenge to widely held beliefs about cultural and political fragmentation in the United States today. The Fractious Nation? may well change the debate on issues ranging from multiculturalism and race relations to governance and public philosophy."—William A. Galston, author of Liberal Purposes: Goods, Virtues, and Diversity on the Liberal State "The virtue of this stunning collection of essays is the shrewd moderation of its authors, who explain that while we in the United States have serious social conflict, we also have the intellectual resources to address it. Most of all, The Fractious Nation, whose contributors embrace very different political approaches, reminds us that we must struggle to understand what constitutes nationhood in this difficult century."—Stanley N. Katz, professor, Woodrow Wilson School, and director of Center for Arts and Cultural Policy Studies, Princeton University "With an all-star team of contributors, this volume explores the many ways that fear of fragmentation plagues the American psyche today and provides the kind of understanding that allows us to overcome such fears. The breadth of talent assembled between the covers of this book is simply awesome."—Robert Suro, author of Strangers among Us: Latino Lives in a Changing America "This is an accessibly written and valuable collection by outstanding social scientists addressed to the broad question of whether the United States is experiencing or headed for a 'culture war.'"—R. Stephen Warner, author of New Wine in Old Wineskins: Evangelicals and Liberals in a Small-Town Church "This is an exceptionally well-focused collection of up-to-date, analytical reflections on several of the most pressing issues in American political culture today, written by some of our most discerning scholars and journalists."—David A. Hollinger, author of Postethnic America: Beyond Multiculturalism

Author E.R. Vernor, best known as Corvis Nocturnum brings you the ten year anniversary expanded edition of his original expose. The writer reflects on what has changed and stayed the same, with even more insights, interviews and photos never seen before. The author brings you an unprecedented collection of Satanists, vampires, modern primitives, dark pagans, and Gothic artists, all speaking to you in their own words. These are people who have taken something most others find frightening or destructive, and woven it into amazing acts of creativity and spiritual vision. Corvis himself is a dark artist and visionary, and so it is with the eye of a kindred spirit that he has sought these people out to share their stories with you.

A critical examination of political Zionism, a topic often considered taboo in the West, is long overdue. Moreover, the discussion of Christian Zionism is usually confined to Evangelical and fundamentalist settings. The present volume will break the silence currently reigning in many religious, political, and academic circles and, in so doing, will provoke and inspire a new, challenging conversation on theological and ethical issues arising from various aspects of Zionism--a conversation that is vital to the quest for a just peace in Israel and Palestine. The eight authors offer a rich diversity of religious faith, academic research, and practical experience, as they represent all three Abrahamic faiths and five different Christian traditions. Among the many themes that run through Zionism and the Quest for Justice in the Holy Land is the contrast between exclusivist narratives, both biblical and political, and the more inclusive narratives of the prophetic Scriptures, which provide the theological foundation and the moral imperative for human liberation. Readers will be drawn into a compelling, readable, and stimulating series of essays that tackle many of the complex issues that still confound clergy, politicians, diplomats, and academic experts.

Does Western-style democracy make sense in the various geographic, economic, and social settings of the continent? How far toward democracy have recent liberalization movements gone? In The Fate of Africa's Democratic Experiments, Leonardo A. VillalÃ3n, Peter VonDoepp, and an international group of contributors consider the aftermath, success, failure, and future of the wave of democracy that swept Africa in the early 1990s. In some countries, democratic movements flourished, while in others, democratic success was more circumscribed. This detailed analysis of key political events in countries at the forefront of democratic change -- Benin, Central African Republic, Congo, Guinea-Bissau, Madagascar, Malawi, Mali, Mozambique, and Zambia -- provides for broadly representative continental and linguistic coverage of directions and prospects for Africa's democracies. The contributors are Michael Chege, John F. Clark, Joshua B. Forrest, Abdourahmane Idrissa, Bruce Magnusson, Carrie Manning, Richard R. Marcus, Andreas Mehler, David J. Simon, Leonardo A. VillalÃ3n, and Peter VonDoepp.

A comprehensive study of the pervasive role of immersion and immersive media in postmodern culture, from a humanities and social sciences perspective. Virtual reality, augmented reality, mixed reality, and other modes of digitally induced immersion herald a major cultural and economic shift in society. Most academic discussions of immersion and immersive media have focused on the technological aspects. In The 360° Gaze, Christian Stiegler takes a humanities and social science approach, emphasizing the human implications of immersive media in postmodern culture. Examining characteristics common to all immersive experiences, he uncovers dominant metaphors, such as the rabbit hole, and prevailing ideologies. He raises fundamental questions about opportunities and risks associated with immersion, as well as the potential effects on individuals, communities, and societies.

Cathedrals are one area of the church’s life where increasingly the unchurched and the half-believer encounter God, and where the institutions of our society instinctively engage with the Christian gospel. Holy Ground digs deep into the life of England’s cathedrals, and discusses such diverse topics as finance, growth, heritage, liturgy, development, music and art.