A Discourse In Commemoration Of James P Bell Andrew B Van Burnes Jacob Schlemer Primary Source Edition

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Excerpt from A Discourse in Commemoration of James P. Bell, Andrew B. Van Buren, Jacob Schlemer, William Schlemer, Albert Smith, David Rose, Joseph Cryne, and Other Volunteers From Castleton, N. Y., Who Have Died in the National Army During the Present War: Preached in the Ref; Prot; Dutch Church, of Castledon, July 31, 1864 So Solomon, whose name is a synonym of wisdom, thought, as appears in a part of the scrip ture preface to my discourse. It is taken from Ecclesiastes, which is substantially a review of Solomon's long life, and gives the result of his extended observation and experience. He had seen that earth was not a theatre for the display simply of what was gladsome, and bright, and beautiful; but that into its drama entered things dark, and stern, and sad; all of which must be noticed and remembered, if we would understand the scene, and be prepared wisely to act our parts therein. There is, he says. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.