A Description Of Millenium Hall Feminist Classic

This adventure novel tells the tale of the Millenium Hall, the female Utopia. The people in the Hall live in a model of mid-century reform ideas. All the women have crafts with which to better themselves. Property is held in common, and education is the primary pastime. The narrator's long-lost cousin relates the series of adventures and how each of the residents arrived at this female Utopia. The adventures are remarkable for their reliance on a nearly superstitious form of divine grace, where God's will manifests itself with the direct punishment of the wicked and the miraculous protection of the innocent. In one tale, a woman about to be ravished by a man is saved, literally by the hand of God, as her attacker dies of a stroke. Millenium Hall was Sarah Scott's most significant novel. Interest in it has revived in the 21st century among feminist literary scholars.

This feminist adventure classic tells the tale of the Millenium Hall, the female Utopia. The people in the Hall live in a model of mid-century reform ideas. All the women have crafts with which to better themselves. Property is held in common, and education is the primary pastime. The narrator's long-lost cousin relates the series of adventures and how each of the residents arrived at this female Utopia. The adventures are remarkable for their reliance on a nearly superstitious form of divine grace, where God's will manifests itself with the direct punishment of the wicked and the miraculous protection of the innocent. In one tale, a woman about to be ravished by a man is saved, literally by the hand of God, as her attacker dies of a stroke. Millenium Hall was Sarah Scott's most significant novel. Interest in it has revived in the 21st century among feminist literary scholars.

A Description of Millenium Hall And the Country Adjacent Together with the Characters of the Inhabitants and Such Historical Anecdotes and Reflections Sarah Scott You may remember, Sir, that when I took leave of you with a design of retiring to my native county, there to enjoy the plenty and leisure for which a few years labour had furnished me with the necessary requisites, I was advised by an eminent physician to make a very extensive tour through the western part of this kingdom, in order, by frequent change of air, and continued exercise, to cure the ill effects of my long abode in the hot and unwholesome climate of Jamaica, where, while I increased my fortune, I gradually impaired my constitution; and though one who, like me, has dedicated all his application to mercantile gain, will not allow that he has given up the substance for the shadow, yet perhaps it would be difficult to deny that I thus sacrificed the greater good in pursuit of the less. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Sarah Scott, nee Robinson (1723-1795) was an English novelist, translator, and social reformer. She had written her first novel the year before her marriage, in 1750: The History of Cornelia. In 1754, she attempted to generate an income by translation and wrote An Agreeable Ugliness based on an exaggeratedly moralistic French source. The same year, she also wrote A Journey Through Every Stage of Life, which is an Arabian Nights-styled series of tales told by a young serving girl to a displaced princess. In 1760, with the accession of George III, she wrote a political work about Gustav I of Sweden, The History of Gustavus Ericson, King of Sweden, picking up on the theme of the patriot king. She also wrote The History of Mecklenburg: From the First Settlement of the Vandals in That Country to the Present Time the next year, to capitalize on the publicas interest in George IIIas wife, Charlotte. In 1762, Scott published her novel, A Description of Millenium Hall and the Country Adjacent. It went through four editions, and interest in it as a feminist text has revived in the 21st century.

In 1750 at the age of twenty-seven Sarah Scott published her first novel, a conventional romance. A year later she left her husband after only a few months of marriage and devoted herself thereafter to writing and to promoting such causes as the creation of secular and separatist female communities. This revolutionary concept was given flesh in Millenium Hall, first published in 1762 and generally thought to be the finest of her six novels. The text may be seen as the manifesto of the ‘bluestocking’ movement—the protean feminism that arose under eighteenth-century gentry capitalism (originating in 1750, largely under the impetus of Scott’s sister Elizabeth Montagu), and that rejected a world which early feminists saw symbolized in the black silk stockings demanded by formal society. It is a comment on Western society as well as on the strengths of Scott’s novel that the message of Millenium Hall continues to resonate strongly more than two centuries later.

In 1750 at the age of twenty-seven Sarah Scott published her first novel, a conventional romance. A year later she left her husband after only a few months of marriage and devoted herself thereafter to writing and to promoting such causes as the creation of secular and separatist female communities. This revolutionary concept was given flesh in Millenium Hall, first published in 1762 and generally thought to be the finest of her six novels. The text may be seen as the manifesto of the ‘bluestocking’ movement—the protean feminism that arose under eighteenth-century gentry capitalism (originating in 1750, largely under the impetus of Scott’s sister Elizabeth Montagu), and that rejected a world which early feminists saw symbolized in the black silk stockings demanded by formal society. It is a comment on Western society as well as on the strengths of Scott’s novel that the message of Millenium Hall continues to resonate strongly more than two centuries later.

Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly is the first written history of the pioneering women born between the Renaissance and 1913 who played significant roles in the history of classical scholarship. Facing seemingly insurmountable obstacles from patriarchal social systems and educational institutions - from learning Latin and Greek as a marginalized minority, to being excluded from institutional support, denigrated for being lightweight or over-ambitious, and working in the shadows of husbands, fathers, and brothers - they nevertheless continued to teach, edit, translate, analyse, and elucidate the texts left to us by the ancient Greeks and Romans. In this volume twenty essays by international leaders in the field chronicle the lives of women from around the globe who have shaped the discipline over more than five hundred years. Arranged in broadly chronological order from the Italian, Iberian, and Portuguese Renaissance through to the Stalinist Soviet Union and occupied France, they synthesize illuminating overviews of the evolution of classical scholarship with incisive case-studies into often overlooked key figures: some, like Madame Anne Dacier, were already famous in their home countries but have been neglected in previous, male-centred accounts, while others have been almost completely lost to the mainstream cultural memory. This book identifies and celebrates them - their frustrations, achievements, and lasting records; in so doing it provides the classical scholars of today, regardless of gender, with the female intellectual ancestors they did not know they had.