A Cruise In An Opium Clipper

Excerpt from A Cruise in an Opium Clipper I take service on board an opium clipper at Shanghai; A visit to a sailors' boarding-house; Sailors' wrongs and remedies - a crimp's tricks; A crimp's tricks (continued); I make acquaintance with my new shipmates; A secret expedition About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An EXACT reproduction from the original book A CRUISE IN AN OPIUM CLIPPER by Captain Lindsay Anderson first published in 1891. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Inaugurated in 1984, America's "War on Drugs" is just the most recent skirmish in a standoff between global drug trafficking and state power. From Britain's nineteenth-century Opium Wars in China to the activities of Colombia's drug cartels and their suppression by U.S.-backed military forces today, conflicts over narcotics have justified imperial expansion, global capitalism, and state violence, even as they have also fueled the movement of goods and labor around the world. In Drug Wars, cultural critic Curtis Marez examines two hundred years of writings, graphic works, films, and music that both demonize and celebrate the commerce in cocaine, marijuana, and opium, providing a bold interdisciplinary exploration of drugs in the popular imagination. Ranging from the writings of Sigmund Freud to pro-drug lord Mexican popular music, gangsta rap, and Brian De Palma's 1983 epic Scarface, Drug Wars moves from the representations and realities of the Opium Wars to the long history of drug and immigration enforcement on the U.S.-Mexican border, and to cocaine use and interdiction in South America, Middle Europe, and among American Indians. Throughout Marez juxtaposes official drug policy and propaganda with subversive images that challenge and sometimes even taunt government and legal efforts. As Marez shows, despite the state's best efforts to use the media to obscure the hypocrisies and failures of its drug policies-be they lurid descriptions of Chinese opium dens in the English popular press or Nancy Reagan's "Just Say No" campaign-marginalized groups have consistently opposed the expansion of state power that drug traffic has historically supported. Curtis Marez is assistant professorof critical studies at the University of Southern California School of Cinema-Television.

Opium and its derivatives morphine and heroin have destroyed, corrupted, and killed individuals, families, communities, and even whole nations. And yet, for most of its long history, opium has also been humanity's most effective means of alleviating physical and mental pain. This extraordinary book encompasses the entire history of the world's most fascinating drug, from the first evidence of poppy cultivation by stone-age man to the present-day opium trade in Afghanistan. Dr. Thomas Dormandy tells the story with verve and insight, uncovering the strange power of opiates to motivate major conflicts yet also inspire great art and medical breakthroughs, to trigger the rise of global criminal networks yet also revolutionize attitudes toward well-being. Opium: Reality's Dark Dream traverses the globe and the centuries, exploring opium's role in colonialism, the Chinese Opium Wars, laudanum-inspired sublime Romantic poetry, American "Yellow Peril" fears, the rise of the Mafia and the black market, 1960s counterculture, and more. Dr. Dormandy also recounts exotic or sad stories of individual addiction. Throughout the book the author emphasizes opium's complex, valuable relationship with developments in medicine, health, and disease, highlighting the perplexing dual nature of the drug as both the cause and relief of great suffering in widely diverse civilizations.

This book questions the universal belief that England's 1840-42 war with China was an 'Opium War'. What really worried London was 'insults to the crown', the claim of a dilapidated and corrupt China to be superior to everyone, threats to British men and women and seizure of British property, plus the wish to expand and free trade everywhere. It was only much later that general Chinese resentment and Evangelical opinion at home - and in America - persuaded everyone that Britain had indeed been wicked and fought for opium.