A Concise History Of Hungarian Music

A comprehensive history of the land, people, society, culture and economy of Hungary.

Bonded Leather binding

The victors of the First World War created Hungary from the ruins of the Austro-Hungarian empire, but, in the centuries before, many called for its creation. Norman Stone traces the country's roots from the traditional representative councils of land-owning nobles to the Magyar nationalists of the nineteenth century and the first wars of independence. Hungary's history since 1918 has not been a happy one. Economic collapse and hyperinflation in the post-war years led to fascist dictatorships and then Nazi occupation. Optimism at the end of the Second World War ended when the Iron Curtain descended, and Soviet tanks crushed the last hopes for independence in 1956 along with the peaceful protests in Budapest. Even after the fall of the Berlin Wall, consistent economic growth has remained elusive. This is an extraordinary history - unique yet also representative of both the post-Soviet bloc and of nations forged from the fall of empires.

This book offers a comprehensive thousand-year history of the land, people, society, culture and economy of Hungary, from its nebulous origins in the Ural Mountains to the elections of 1988. It tells above all the thrilling story of a people which became a great power in the region and then fought against - and was invaded by - Ottomans, Germans and Soviets. The Hungarian people preserved nevertheless a continuous individuality through its Ural-born language and a specifically Hungaro-European culture. Dominated from the sixteenth century by the Habsburgs, while ruling its own national minorities, Hungary was deprived of two-thirds of its lands and peoples through successive treaties which followed the two World Wars, after which it fell under Soviet domination for nearly fifty years. Free and independent since 1990, Hungary continues to seek its rightful position in Europe.

In the early twentieth century, Bela Bartók and his circle argued for a new definition of "Hungarianness," one which centered around folksong rather than the "Hungarian-Gypsy" style relied upon by Franz Liszt and his contemporaries. This book traces the historical process that defined the conventions of Hungarian-Gypsy style, and reveals through this decades-long debate what it meant to be Hungarian, European, and modern.