A Book Of Noises

"A lucid and passionate case for a more mindful way of listening to and engaging with musical, natural, and manmade sounds." —New York Times In this tour of the world’s most unexpected sounds, Trevor Cox—the “David Attenborough of the acoustic realm” (Observer)—discovers the world’s longest echo in a hidden oil cavern in Scotland, unlocks the secret of singing sand dunes in California, and alerts us to the aural gems that exist everywhere in between. Using the world’s most amazing acoustic phenomena to reveal how sound works in everyday life, The Sound Book inspires us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.

What if history had a sound track? What would it tell us about ourselves? Based on a thirty-part BBC Radio series and podcast, Noise explores the human dramas that have revolved around sound at various points in the last 100,000 years, allowing us to think in fresh ways about the meaning of our collective past. Though we might see ourselves inhabiting a visual world, our lives have always been hugely influenced by our need to hear and be heard. To tell the story of sound—music and speech, but also echoes, chanting, drumbeats, bells, thunder, gunfire, the noise of crowds, the rumbles of the human body, laughter, silence, conversations, mechanical sounds, noisy neighbors, musical recordings, and radio—is to explain how we learned to overcome our fears about the natural world, perhaps even to control it; how we learned to communicate with, understand, and live alongside our fellow beings; how we've fought with one another for dominance; how we've sought to find privacy in an increasingly noisy world; and how we've struggled with our emotions and our sanity. Oratory in ancient Rome was important not just for the words spoken but for the sounds made—the tone, the cadence, the pitch of the voice—how that voice might have been transformed by the environment in which it was heard and how the audience might have responded to it. For the Native American tribes first encountering the European colonists, to lose one's voice was to lose oneself. In order to dominate the Native Americans, European colonists went to great effort to silence them, to replace their "demonic" "roars" with the more familiar "bugles, speaking trumpets, and gongs." Breaking up the history of sound into prehistoric noise, the age of oratory, the sounds of religion, the sounds of power and revolt, the rise of machines, and what he calls our "amplified age," Hendy teases out continuities and breaches in our long relationship with sound in order to bring new meaning to the human story.

Lily Laceby is nearly 90 and lives in a remote cottage with her dog, Butch Aggie. One wild winter night she drifts off to sleep. As she dreams peacefully of bygone days, Butch Aggie stirs, hackles raised, hearing strange noises. Who could be out on such a night? But Lily opens the door to a lovely surprise. A delightfully suspenseful story that children will enjoy again and again. Copyright © Libri GmbH. All rights reserved.

Listening across millennia, a cultural historian explores the process by which noise today has become as powerfully metaphorical--and intriguing--as the original Babel. When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific. At every stage, readers can hear the cultural reverberations of the historical soundwork of actresses, admen, anthropologists, astronomers, builders, composers, dentists, economists, engineers, filmmakers, firemen, grammar school teachers, jailers, nurses, oceanographers, pastors, philosophers, poets, psychologists, and the writers of children's books. Drawing upon such diverse sources as the archives of antinoise activists and radio advertisers, catalogs of fireworks and dental drills, letters and daybooks of physicists and physicians, military manuals and training films, travel diaries and civil defense pamphlets, as well as museum collections of bells, ear trumpets, megaphones, sirens, stethoscopes, and street organs, Schwartz traces the process by which noise today has become as powerfully metaphorical as the original Babel. Endnotes and bibliography are not included in the physical book but are available online at the MIT Press Web site.

Background: In February 2005, Pathe Films (Chicken Run, Girl with a Pearl Earring, amongst many others) released The Magic Roundabout, a full-length CGI film featuring, not only the well-loved characters from the original t.v. series, but also introducing two new ones. They are voiced by an all-star cast including Robbie Williams, Kylie Minogue and Joanna Lumley. Oxford University Press have published a number of educational products to tie in with the film under the imprint 'Learn with The Magic Roundabout'. Dylan's Book of Noises is the 4th title in the series of concept books. Dylan is quite happy to snooze the day away while his Magic Roundabout friends try to wake him up with different noises. When Dylan does wake up, it's time for bed! The book takes a fun look at different noises and is great to for parents and children to share. It is bright and modern and illustrated by vibrant CGI images of the characters from The Magic Roundabout. A sheet of stickers comes as part of the book and there are special picture frames to stick the sticker on the right page.

Noise is usually defined as unwanted sound: loud music from a neighbor, the honk of a taxicab, the roar of a supersonic jet. But as Garret Keizer illustrates in this probing examination, noise is as much about what we want as about what we seek to avoid. In a journey that leads us from the primeval Tanzanian veldt to wind farms in Maine, Keizer invites us to listen to noise in history, in popular culture, and not least of all in our own backyards. He follows noise throughout history and across the globe. He considers what it has to tell us about today's most pressing issues, from social inequality to climate change. The result is guaranteed to change how we hear the world, and how we measure our own personal volume within it.

A wide-ranging exploration of the sounds that shape our world in invisible yet significant ways. The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In A Book of Noises, Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things “auraculous.” Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the “earworm” songs that get stuck in our heads. A Book of Noises also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. A Book of Noises will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.

When a little boy tries to fall asleep, he is kept awake by all the late-night noises around his house. From the hisss of the heater to the whieee of the wind, these noises soon lead to great adventures . . . This is a first picture book for co-authors Beth Raisner Glass and Susan Lubner. Beth is a junior primary teacher, and was inspired to write the story when her eighteen-month-old son was kept awake by all the strange noises in the family's new house. She wrote the story to entertain, but also to help children put into perspective the unknown things that scare them. With her friend Susan Lubner, Beth honed her story in verse to get the rhyme and the rhythm just right, through 40 drafts. The result is a fun text that is easy to read aloud.

Experience the sights and sounds of 1930s Brooklyn and Coney Island through the eyes—and ears—of a hearing boy and his deaf parents. A Brooklyn family takes an outing to Coney Island, where they enjoy the rides, the food, and the sights. The father longs to know how everything sounds. Though his son does his best to interpret their noisy surroundings through sign language, he struggles to convey the subtle differences between the "loud" of the ocean and the "loud" of a roller coaster. When the family drops in at the library after dinner, the boy makes a discovery. Perhaps the words he needs are within reach, after all. Myron Uhlberg's story, based on his own childhood experiences, covers the almost unique topic within children's books of children raised by deaf parents. Ted Papoulas beautifully and sensitively portrays the family's day and brings the whole experience to life for readers.

Ding dong! Flush! Moo! Roar! What's that sound? Press the buttons to find out! Listening is an important part of language development, and Twirl's first sound book will engage very young children as they explore sounds and words found in familiar settings, and perhaps some not-so-familiar ones. The 20-button sound panel includes 100 sounds and words; each button accompanies a spread where the actions, objects, and animals are named, followed by the appropriate sounds. From sounds in the home and on the street to sounds in the jungle and even in the ocean, little ones will be able to quickly identify sounds and name the animals and objects that make them. Big sounds for little ears!