A Book Of Noble Women With Illustrations

Have you ever dreamt of becoming an infallible seducer of women? This book tells you everything you need to know, courtesy of the world's only major female PUA (pick-up artist), Kezia Noble! Unknown until a couple of years ago, Kezia was approached by the organisers to attend a PUA class meeting. She gave it to the other attendees straight, not caring if she offended anyone; the men took it on the chin and took her constructive criticisms on board. Within days and weeks they were trying out her suggested techniques and starting to become more successful with women. Kezia returned to the PUA classes and started to make a name for herself. Kezia Noble is the first woman to offer the aspiring pick-up artist advice on how to attract women from a woman's point of view. She now runs many classes and a workshop, and even produces corporate videos on the chemistry of attracting women. Now, in answer to requests from her students, Kezia has written a book on the 15 steps to becoming a master seducer - which will also prove an invaluable aid to men who cannot afford her classes, who work too far away or don't have enough time. The Noble Art of Seducing Women is the first and only sure-fire pick-up guide to be written by a woman. It has the potential to transform a lonely man into someone who need never be single again . . . unless, of course, he wants to be. Kezia Noble works with her students instead of belittling them. As a sensitive and intelligent young woman, she is becoming known as the best PUA in the business...

A collection of charmingly illustrated and inspiring profiles of fifty pioneering female artists, from the eleventh century to today—by the New York Times bestselling author of Women in Science “A beautifully illustrated, fact-filled breath of fresh air! Countless women have been left out of art history, but thanks to gorgeous books like this, future generations will begin to know their stories.”—Danielle Krysa, founder of The Jealous Curator Women make masterpieces! Through fifty fascinating profiles, Women in Art highlights the achievements and stories of fifty notable women in the arts—from well-known figures like painters Frida Kahlo and Georgia O'Keefe, to lesser-known names like nineteenth-century African American quilter Harriet Powers and Hopi-Tewa ceramic artist Nampeyo. Covering a wide array of artistic mediums, Women in Art also contains infographics about artistic movements throughout history, statistics about women’s representation in museums, and notable works by women. This fascinating book celebrates the success of the bold female creators who inspired the world and paved the way for the next generation of artists.

This vivid and pioneering study illuminates the different roles played in late medieval society by noblewomen - the most substantial group of women to survive as individuals in medieval documents. They emerge (despite limited political opportunities) as figures of consequence themselves in a landowning society through estate management in their husbands' frequent absences, and through hospitality, patronage and affinity.

Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleigh’s mother. This is her story.

Excerpt from Stories of the Lives of Noble Women In selecting the subjects of his biographical sketches, the author has endeavoured to fix upon women who have been not less distinguished by their domestic than by their public virtues; upon women who have been Christians faithful to the end, and patriots firm in their loyalty to their country, as well as upon women illustrious as wives, mothers, daughters, or sisters. The sphere in which woman influences us for good is much wider than society sometimes supposes; and the pages of history record innumerable examples of her heroic devotion and constancy to a great purpose. It is well that these examples should be kept before the eyes of the younger female members of our families; and that they should be encouraged to aspire to a high standard of duty, while not forgetting that their true happiness will always lie within the home circle. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In this groundbreaking work of history, David Noble examines the origins and implications of the masculine culture of Western science and technology. He begins by asking why women have figure so little in the development of science, and then proceeds—in a fascinating and radical analysis—to trace their absence to a deep-rooted legacy of the male-dominated Western religious community. He shows how over the last thousand years science and the practice and institutions of higher learning were dominated by Christian clerics, whose ascetic culture from the late medieval period militated against the inclusion of women in scientific enterprise. He further demonstrates how the attitudes that took hold then remained more or less intact through the Reformation, and still subtly permeate out thinking despite the secularization of learning. Noble also describes how during the first millennium and after, women at times gained amazingly broad intellectual freedom and participated both in clerical activities and in scholarly pursuits. But, as Noble shows, these episodic forays occurred only in the wake of anticlerical movements within the church and without. He suggest finally an impulse toward “defeminization” at the core of the modern scientific and technological enterprise as it work to wrest from one-half of humanity its part in production (the Industrial Revolution’s male appropriation of labor) and reproduction (the millennium-old quest for the artificial womb). An important book that profoundly examine how the culture of Western Science came to be a world without women.