80s Kid

A humorous and nostalgic trip through a typical 80s childhood. Told through the eyes of a normal (ish) British kid from the Birmingham suburbs. A time when urban exploration on your bike was a day long adventure, a Wimpy birthday party the equivalent of a party on a celebrity yacht, Diamond White was a teenage rite of passage and people still wrote love letters and dreamed of winning the pools. Where no one did anything online and the only phones at home were landlines that probably had a lock on. 80s Kid tells the story of a different world, even though it wasn't that long ago.

“They say comedy equals tragedy plus time: This very funny account of an often miserable childhood is proof.” --People “What a strong, funny, heartbreaking memoir, with a voice that is completely its own (written by a woman who very much seems to be completely her own, as well.) I loved it.”--Elizabeth Gilbert, New York Times bestselling author of Big Magic and Eat, Pray, Love An uproarious, moving memoir about a grandmother’s ferocious love and redefining what it means to be family “If you fight that motherf**ker and you don’t win, you’re going to come home and fight me.” Not the advice you’d normally expect from your grandmother—but Danielle Henderson would be the first to tell you her childhood was anything but conventional. Abandoned at ten years old by a mother who chose her drug-addicted, abusive boyfriend, Danielle was raised by grandparents who thought their child-rearing days had ended in the 1960s. She grew up Black, weird, and overwhelmingly uncool in a mostly white neighborhood in upstate New York, which created its own identity crises. Under the eye-rolling, foul-mouthed, loving tutelage of her uncompromising grandmother—and the horror movies she obsessively watched—Danielle grew into a tall, awkward, Sassy-loving teenager who wore black eyeliner as lipstick and was struggling with the aftermath of her mother’s choices. But she also learned that she had the strength and smarts to save herself, her grandmother gifting her a faith in her own capabilities that the world would not have most Black girls possess. With humor, wit, and deep insight, Danielle shares how she grew up and grew wise—and the lessons she’s carried from those days to these. In the process, she upends our conventional understanding of family and redefines its boundaries to include the millions of people who share her story.

High school students enter a time gate to an unknown planet for a survival test, but something goes wrong and they have to learn to survive by their own resourcefulness.

Walter wakes one ordinary summer morning and discovers he has somehow been catapulted into a world populated by dinosaurs.

There has been a terrible mistake. Instead of having thirty classrooms side by side, Wayside School is thirty storeys high! (The builder said he was sorry.) Perhaps that's why all sorts of strange and unusual things keep happening – especially in Mrs Jewls's classroom on the very top floor. There's the terrifying Mrs Gorf, who gets an unusually fruity comeuppance; Terrible Todd, who always gets sent home early; and Mauricia, who has a strange ice-cream addiction. Meanwhile, John can only read upside down, and Leslie is determined to sell her own toes. From top to bottom, Wayside is packed with quirky and hilarious characters who are all brought to life in this new edition with delightful illustrations by Aleksei Bitskoff throughout. This is an unmissable, irrepressible story of mixed-up mayhem from Louis Sachar, the bestselling author of Holes.

Part of the classic Fudge series from Judy Blume, bestselling author of Tales of a Fourth Grade Nothing! Farley Drexel Hatcher—otherwise known as Fudge—thinks he’s a superhero, but his older brother, Peter, knows Fudge is nothing but a big pain! Dealing with Fudge is hard enough, but now Peter’s parents have decided to move to New Jersey for an entire year! Even worse, Peter’s mom is going to have a new baby. And if this baby is anything like Fudge—help! How will Peter ever survive? “As a kid, Judy Blume was my favorite author, and Tales of a Fourth Grade Nothing was my favorite book.”—Jeff Kinney, author of the bestselling Wimpy Kid series Love Fudge, Peter, and Sheila? Read all these books featuring your favorite characters: Tales of a Fourth Grade Nothing Otherwise Known as Sheila the Great Fudge-a-Mania Double Fudge

“We gotta get out of this place.” —Any kid in the ’80s trying to make it playing rock and roll. Mix one dash of high school and two jiggers of teenage angst with a metric ton of heavy metal, and you have the recipe for the improbable wild ride of five kids with limited means and big dreams. Seventeen-year-old Sean needs a lot of things: He needs his parents to stop hassling him. He needs his car to actually start. He needs his Jewfro to grow out into heavy metal hair. But most of all, he needs a band... Without one he isn’t sure that he’s ever going to make it out of this two-horse town. He’s been trying to put a band together for as long as he can remember, but finding like-minded metalheads in rural America has been challenging. Finally the stars align and a band is born. It’s magic. But can these five talented metal kids keep things together long enough to play the show of a lifetime? If you are a fan of heavy metal music and grew up in the 1980s (or just wished you had) this story is for you.

Unemployed after high school in the highly robotic society of 2154, Lisse and seven friends resign themselves to a boring existence in their "Designated Area" until the government invites them to play The Game.

Yellow & Pink is a witty picture book by William Steig, the creator of Shrek. On a fine day, a thin, yellow puppet and a round, pink puppet sit in the sun. They wonder where they came from. Were they an accident of nature, created by a series of possible but improbable events? Did someone create them? They discuss their theories, and think they may have an answer. But just as they settle on a solution, a man arrives who raises new questions. Praise for Yellow & Pink: "One marvels at the expressiveness, the nearness to animation, of Steig's vibrant drawings." -The Washington Post Book World "A comic fable that has more clout than the most fervent homily." -Publishers Weekly "Illustrated with simple three-color drawings, this is a book that will delight adults as well as children and lead to some very interesting discussions!" -Children's Literature

A brilliant, disturbing portrait of the dawn of the culture wars, when America started to tear itself apart with doubts, wild allegations, and an unfounded fear for the safety of children. During the 1980s in California, New Jersey, New York, Michigan, Massachusetts, Florida, Tennessee, Texas, Ohio, and elsewhere, day care workers were arrested, charged, tried, and convicted of committing horrible sexual crimes against the children they cared for. These crimes, social workers and prosecutors said, had gone undetected for years, and they consisted of a brutality and sadism that defied all imagining. The dangers of babysitting services and day care centers became a national news media fixation. Of the many hundreds of people who were investigated in connection with day care and ritual abuse cases around the country, some 190 were formally charged with crimes, leading to more than 80 convictions. It would take years for people to realize what the defendants had said all along -- that these prosecutions were the product of a decade-long outbreak of collective hysteria on par with the Salem witch trials. Social workers and detectives employed coercive interviewing techniques that led children to tell them what they wanted to hear. Local and national journalists fanned the flames by promoting the stories' salacious aspects, while aggressive prosecutors sought to make their careers by unearthing an unspeakable evil where parents feared it most. Using extensive archival research and drawing on dozens of interviews conducted with the hysteria's major figures, n+1 editor Richard Beck shows how a group of legislators, doctors, lawyers, and parents -- most working with the best of intentions -- set the stage for a cultural disaster. The climate of fear that surrounded these cases influenced a whole series of arguments about women, children, and sex. It also drove a right-wing cultural resurgence that, in many respects, continues to this day.