1939

The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today

A "chilling" and "expertly" written history of the 1939 September Campaign and the onset of World War II (Times of London). For Americans, World War II began in December of 1941, with the bombing of Pearl Harbor; but for Poland, the war began on September 1, 1939, when Hitler's soldiers invaded, followed later that month by Stalin's Red Army. The conflict that followed saw the debut of many of the features that would come to define the later war-blitzkrieg, the targeting of civilians, ethnic cleansing, and indiscriminate aerial bombing-yet it is routinely overlooked by historians. In Poland 1939, Roger Moorhouse reexamines the least understood campaign of World War II, using original archival sources to provide a harrowing and very human account of the events that set the bloody tone for the conflict to come.

A tale of Europe in the days just before the war. It tells of a small group of Jewish holiday makers in the resort of Badenheim in the Spring of 1939. Hitler's war looms, but Badenheim and its summer residents go about life as normal."

Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

DigiCat Publishing presents to you this special edition of "The Big Sleep" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In European and Holocaust historiography, it is generally believed that neither the Zionist movement nor the Yishuv, acting primarily out of self-interest, energetically attempted to help European Jews escape the Nazi threat. Drawing on the memoirs, letters, and institutional reports of Chaim Weizmann, Zeev Jabotinsky, David Ben-Gurion, and many others, this volume sheds new light on a troubled period in Jewish history. Reinharz and Shavit trace Jewish responses to developments in Eastern and Central Europe to show that - contrary to recent scholarship and popular belief - Zionists in the Yishuv worked tirelessly on the international stage on behalf of their coreligionists in Europe. Focusing particularly on Poland, while explicating conditions in Germany and Czechoslovakia as well, the authors examine the complicated political issues that arose not just among Jews themselves, but also within national governments in Britain, Europe, and America. Piercing to the heart of conversations about how or whether to save Jews in an increasingly hostile Europe, this volume provides a nuanced and thoughtful assessment of what could and could not be achieved in the years just prior to World War II and the Holocaust.

In the face of Soviet invasion in 1939–40, and once again in 1941–44, the armies raised by Finland – a tiny nation of only 4 million people astonished the world by their effective resistance. At the end of both these campaigns – the Winter War, and the Continuation War – the fiercely patriotic defiance of vastly stronger Soviet forces by Marshal Mannerheim's soldiers won their country a unique prize: although forced to accept harsh terms, Finland was never occupied by the Red Army, and retained its independence. This book explains and illustrates, for the first time in English, the organization, uniforms, equipment and tactics of Finland's defenders.

This is a new release of the original 1939 edition.

In "one of the most deliciously high-concept thrillers imaginable" (The New Yorker) a young JFK travels to Europe on a secret mission for President Roosevelt It’s the spring of 1939, and the prospect of war in Europe looms large. The United States has no intelligence service. In Washington, D.C., President Franklin Roosevelt may run for an unprecedented third term and needs someone he can trust to find out what the Nazis are up to. His choice: John F. Kennedy. It’s a surprising selection. At twenty-two, Jack Kennedy is the attractive but unpromising second son of Joseph P. Kennedy, Roosevelt’s ambassador to Britain (and occasional political adversary). But when Jack decides to travel through Europe to gather research for his Harvard senior thesis, Roosevelt takes the opportunity to use him as his personal spy. The president’s goal: to stop the flow of German money that has been flooding the United States to buy the 1940 election—an election that Adolf Hitler intends Roosevelt lose. In a deft mosaic of fact and fiction, Francine Mathews has written a gripping espionage tale that explores what might have happened when a young Jack Kennedy is let loose in Europe as the world careens toward war. A potent combination of history and storytelling, Jack 1939 is a sexy, entertaining read.

From historian Frank McDonough, the first volume of a new chronicle of the Third Reich under Hitler's hand. On January 30th, 1933, Adolf Hitler was appointed the German Chancellor of a coalition government by President Hindenburg. Within a few months he had installed a dictatorship, jailing and killing his leftwing opponents, terrorizing the rest of the population and driving Jews out of public life. He embarked on a crash program of militaristic Keynesianism, reviving the economy and achieving full employment through massive public works, vast armaments spending and the cancellations of foreign debts. After the grim years of the Great Depression, Germany seemed to have been reborn as a brutal and determined European power. Over the course of the years from 1933 to 1939, Hitler won over most of the population to his vision of a renewed Reich. In these years of domestic triumph, cunning maneuvers, pitting neighboring powers against each other and biding his time, we see Hitler preparing for the moment that would realize his ambition. But what drove Hitler's success was also to be the fatal flaw of his regime: a relentless belief in war as the motor of greatness, a dream of vast conquests in Eastern Europe and an astonishingly fanatical racism.