1885 1900 Singer Of The Bush

In her study of the unsuccessful nineteenth-century emigrant, Tamara S. Wagner argues that failed emigration and return drive nineteenth-century writing in English in unexpected, culturally revealing ways. Wagner highlights the hitherto unexplored subgenre of anti-emigration writing that emerged as an important counter-current to a pervasive emigration propaganda machine that was pressing popular fiction into its service. The exportation of characters at the end of a novel indisputably formed a convenient narrative solution that at once mirrored and exaggerated public policies about so-called 'superfluous' or 'redundant' parts of society. Yet the very convenience of such pat endings was increasingly called into question. New starts overseas might not be so easily realizable; emigration destinations failed to live up to the inflated promises of pro-emigration rhetoric; the 'unwanted' might make a surprising reappearance. Wagner juxtaposes representations of emigration in the works of Charles Dickens, Wilkie Collins, Frances Trollope, and Charlotte Yonge with Australian, New Zealand, and Canadian settler fiction by Elizabeth Murray, Clara Cheeseman, and Susanna Moodie, offering a new literary history not just of nineteenth-century migration, but also of transoceanic exchanges and genre formation.

This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.

The fascinating lives and turbulent times of Henry Lawson and Andrew 'Banjo' Paterson - the two men who wrote Australia's story. Today most of us know that Henry Lawson and Andrew 'Banjo' Paterson were famous writers. We know about Matilda, Clancy of the Overflow and the Man from Snowy River; The Drover's Wife, While the Billy Boils and Joe Wilson and his mates, but little else. Here, in a compelling and engaging work, James Knight brings Henry and Banjo's own stories to life. And there is much to tell. Both were country born, just three years and three hundred kilometres apart, Henry on the goldfields of Grenfell and Banjo on a property near Orange, but their paths to literary immortality took very different routes - indeed at times their lives were ones of savage and all too tragic contrasts. Banjo, born into a life of comparative privilege, would rise from country boy to Sydney Grammar student, solicitor, journalist, war correspondent and revered man about town. Henry's formal education only began when his feminist mother finally won her battle for a local school but illness and subsequent deafness would make continuing his lessons difficult, seeing him find work as a labourer, a coach painter and a journalist, all the while wrestling with poverty, alcoholism and mental illness. Both men would become household names during their lifetimes. Both would have regrets. Henry and Banjo details two incredibly fascinating lives and delves into the famous (and not so famous) writings of the two men who had the power to influence and change Australia.

The six Australian colonies united on 1st January 1901 to become the Commonwealth of Australia. One of the reasons given for this federation was that the Commonwealth could provide a common defence. William Rooke Creswell argued that, as an island continent, Australia could not defend itself without a navy. He saw no point in having a 70,000 strong army if only one enemy battleship could destroy port cities and disrupt maritime trade and sea communications. Creswell was not alone in his campaign to establish a navy for Australia but he was the one constant advocate throughout the years from his first proposals on a navy for Australia in 1886 to when the first ships of the Australian Fleet sailed into Sydney Harbour in October 1913.

'Banjo' Paterson's 'Waltzing Matilda' is the one song that has been bringing people together spontaneously since 1895, and the one song that belongs to all Australians.Generations of experts have argued about the original story that Paterson immortalised, about the origins of the tune, and about what Paterson meant by his almost parodic over-use of Australian colloquialisms.Once a Jolly Swagman takes readers off the score sheet into the story of the song, and tells of its evolution up until the twenty-first century. It tries to answer the riddles within the song, and unpick its inherent contradictions: where's the heroism in a suicidal thief? What was jolly about the jumbuck? Is 'Waltzing Matilda' the key to Australian values? What does it mean that a beloved song about Australia's pioneering past is written by a city lawyer?In this age of economic rationalism and a globalised world, how does a voice from the billabong saying, 'You'll come a waltzing matilda with me' still matter, and what does it tell us about ourselves?