16th Century Portraits

Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.

The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries. An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist's significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries. An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist's significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.

For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility--not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Published for the Paul Mellon Centre for Studies in British Art

What's so special about Mona Lisa?In this new, compelling book from author Loretta Beard, find out more about Mona Lisa ...The Mona Lisa is a half-length portrait of a woman by the Italian artist Leonardo da Vinci, which has been acclaimed as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world."The painting, thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, is in oil on a poplar panel, and is believed to have been painted between 1503 and 1506. It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Mus??e du Louvre in Paris. The ambiguity of the subject's expression, frequently described as enigmatic, the monumentality of the composition, the subtle modeling of forms and the atmospheric illusionism were novel qualities that have contributed to the continuing fascination and study of the work.So, what seperates this book from the rest?A comprehensive narrative of Mona Lisa, this book gives a full understanding of the subject.A brief guide of subject areas covered in "16th-century Portraits - Mona Lisa" include -- Mona Lisa- Lisa del Giocondo- Leonardo da Vinci- Speculation about Mona LisaFind out more of this subject, it's intricacies and it's nuances. Discover more about it's importance. Develop a level of understanding required to comprehend this fascinating concept.Author Loretta Beard has worked hard researching and compiling this fundamental work, and is proud to bring you "16th-century Portraits - Mona Lisa" ...Read this book today ...

So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.

An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.

This striking book explores contemporary portraiture from the past decade. The selection features cutting-edge new work from the international art community and reflects an increasing interest in identity worldwide. Organised thematically, the book examines seven key strands of portraiture: The Body; The Self-Portrait; The Invented Portrait; The Anonymous Portrait; Social Identity; The Celebrity Portrait. With an essay by Sandy Nairne, Director of the National Portrait Gallery, London, that locates contemporary portraiture within a historic tradition, 21st Century Portraits examines current trends, showcasing the wide range of media today's artists are using. This book includes an extensive bibliography and is an essential reference work in the field of twenty-first-century portraiture. It will present many images to academic, curatorial and general audiences, including museum and gallery visitors and general art book buyers in the trade for the first time.

During his life Rembrandt painted four group portraits, which have all become world-famous. Everybody knows The Night Watch, The Syndics of the Drapers Guild and The Anatomy Lesson of Dr Nicolaes Tulp. Part of the fourth work, The Anatomy Lesson of Dr J

"This survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. Both regions developed their own distinct styles and techniques, but each was influenced by the other. Focusing on the relationship between artists of the north and south, renowned specialists analyse the notion of likeness - at that time based not only on accurate reference to posterity, but incorporating all aspects of human life, including propaganda, power, courtship, love, family, ambition and hierarchy. Essays and individual catalogue entries present new research on works by some of the greatest portraitists of the period, including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Hans Holbein and Titan, all magnificently illustrated."--Jacket.