13 Ways To Dispose Of A Body

The Duchess at Prayer by Edith Wharton is a gothic short story about Duchess Violante whose chambers remain empty since her mysterious death. Excerpt: "HAVE you ever questioned the long-shuttered front of an old Italian house, that motionless mask, smooth, mute, equivocal as the face of a priest behind which buzz the secrets of the confessional? Other houses declare the activities they shelter; they are the clear expressive cuticle of a life flowing close to the surface; but the old palace in its narrow street, the villa on its cypress-hooded hill, are as impenetrable as death."

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.

While eco-lightbulbs, tiny homes and bans on single-use plastic bags nibble at the edges of our profligate ways, ecological and social sustainability is beginning to profoundly challenge long-standing death styles. This collection brings together new scholarship on multiple and innovative changes to managing the dead from around the world, including the USA, Poland, the Netherlands, Britain, Japan, Australia and New Zealand, to argue for a new perspective in theorising this shift to more sustainable death ways. This is a perspective that moves on from a top-down approach to social change, viewing the perceived gulf between cultural and space management as more a fabrication than a reality.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

Readers of Spinoza's philosophy have often been daunted, and sometimes been enchanted, by the geometrical method which he employs in his philosophical masterpiece the Ethics. In Meaning in Spinoza's Method Aaron Garrett examines this method and suggests that its purpose, in Spinoza's view, was not just to present claims and propositions but also in some sense to change the readers and allow them to look at themselves and the world in a different way. His discussion draws not only on Spinoza's works but also on those of the philosophers who influenced Spinoza most strongly, including Hobbes, Descartes, Maimonides and Gersonides. This controversial book will be of interest to historians of philosophy and to anyone interested in the relation between form and content in philosophical works.

This book provides a critical overview of the changing ways people mourn, commemorate and interact with the remains of the dead, including bodies, materials and digital artefacts. It focuses on how residues of death persist and circulate through different spaces, materials, data and mediated memories, refiguring how the disposal of the dead is understood, enacted and contested across the globe. The volume contains contributions by scholars from a number of disciplines and includes a diverse range of case studies drawn from Asia, Europe and North America. Together they reveal how rapidly changing practices, industries and experiences around death's remains involve the entwining of digital technologies with other material and ritualised forms of commemoration, as well as with shifting boundaries between the sacred and the profane, the institutional and the vernacular, the public and the private.

Max Baker, a 31-year-old accountant, finds himself in a desperate situation after killing a prostitute in his hotel room. 'I lost control of myself, ' he says. 'I couldn't get the thought out of my head!' Panicking and unable to dispose of the evidence by himself, he calls on his long-time friend John Kasper for help. Kasper is horrified and hesitant to help at first, but he can't abandon his friend during his time of need. Max's family and future are at stake. Together, they devise and execute one plan after another, hopelessly trying to hide Max's crime... But how do you make a dead body disappear from the 29th floor of a busy hotel? Jon Athan, the author of Lovesick and The Groomer, invites you to spend a night with Max and Kasper to explore the human body in this extreme psychological horror novel. Do you have the guts to check-in? WARNING: This novel contains graphic content. Reader discretion is advised.