10 Madnesses

'Five Portraits of the Insane' by the nineteenth century French artist Théodore Géricault are said to be all that remain of originally ten commissioned portraits of insane patients. Each painting depicts a particular mental condition, a so-called monomania including a kleptomaniac, a woman mad with envy, and a child kidnapper. Almost nothing is known about these portraits, but they raise a multitude of questions. Who are these people? In what way are they insane? What and where are the five missing madnesses? Intrigued and inspired by an absence, Tan decides to go in search of them. Pairing personal impressions with formal analysis and archival research, the essay ventures far beyond the boundaries of art history.

'Little madnesses' are our most deeply felt enthusiasms, investments and attachments in the sphere of culture. The term was coined by the child psychoanalyst Donald Winnicott, whose work on transitional phenomena grew out of his naming of the transitional object, and extended into preliminary explorations of the crucial role played by cultural experience in a life that feels satisfying. In our socially and culturally sanctioned little madnesses, everyone can find relief from the burden of having to maintain a clear boundary between inner and outer worlds, fantasy and reality, because it is in the space between them that we can find the enthusiasms and passions that excite our creative imaginations. This idea offers intriguing pathways towards understanding how we can engage effectively with the world at a public, social level without setting aside our inner lives, our emotions and our most deeply felt attachments. In Little Madnesses, writers, artists, scholars and experts in a range of fields and disciplines explore the idea of transitional phenomena and consider its potential to extend and deepen our understanding of cultural experience in mental and social life, focusing on the importance of space, place and boundaries in cultural experience; on how we can negotiate media use and cultural identity; and on the aesthetic and creative aspects of cultural experience. Topics covered include cult films, computer use, installation art, trips to the cinema, museums and galleries, the agony and ecstasy of making art and the significance of life stage in cultural experience.

Collection of true stories of people who lived through the Cultural Revolution in China from 1966 to 1976.

Edgar Award for Best Young Adult Mystery Mindy McGinnis, the acclaimed author of Not a Drop to Drink and In a Handful of Dust, combines murder, madness, and mystery in a beautifully twisted gothic historical thriller perfect for fans of novels such as Asylum and The Diviners as well as television's True Detective and American Horror Story. Grace Mae is already familiar with madness when family secrets and the bulge in her belly send her to an insane asylum—but it is in the darkness that she finds a new lease on life. When a visiting doctor interested in criminal psychology recognizes Grace's brilliant mind beneath her rage, he recruits her as his assistant. Continuing to operate under the cloak of madness at crime scenes allows her to gather clues from bystanders who believe her less than human. Now comfortable in an ethical asylum, Grace finds friends—and hope. But gruesome nights bring Grace and the doctor into the circle of a killer who will bring her shaky sanity and the demons in her past dangerously close to the surface.

Originally published: London: Thames & Hudson Ltd, 2015.

With Alice determined to discover the truth about her past, and Seth determined to help her, the couple find themselves sucked into a world where nothing is as it seems and no one can be trusted. On the run to escape a mad queen's wrath, and with an entire realm looking for them, tensions fray and friendships are tested. Even worse for Seth, shocking secrets he'd rather leave buried are brought to the surface. Joined on their adventure by an irritable Gus and a mysterious Eva, the four friends must learn the truth of Alice's past so she can forge her future. But a future with whom? And where? THE WISDOM OF MADNESS is the final book in the Ministry of Curiosities series.

When Aidan Greene’s ex calls after ten years with a peremptory demand for bodyguard services, Aidan’s tempted to say no, even though he hears real despair in Blake’s voice. After a reminder that the two of them are in their forties, and that personal protection is a young man’s game, Aidan and his husband Liam have stepped back, marrying and taking a staycation at their home outside Nice. But Liam misses the adventure, and Aidan is curious about his ex and the man Blake has married, Latin diplomat Ricardo Levy. Ricardo is recovering from a psychotic break, and sees danger all around him, but he’s determined to attend a conference in the Bahamas where he will reveal information that may have profound international ramifications. Quickly, Aidan and Liam are at a luxury resort on Paradise Island, watching for danger and wondering if the threats are all in Ricardo’s head—or if they are very real. Do we ever lose the bonds that connect us to past loves? Aidan and Blake will come to a reckoning about the events that began the Have Body, Will Guard series—and learn something about the madness of love along the way.

In the mid-1800s, a utopian movement to rehabilitate the insane resulted in a wave of publicly funded asylums—many of which became unexpected centers of cultural activity. Housed in magnificent structures with lush grounds, patients participated in theatrical programs, debating societies, literary journals, schools, and religious services. Theaters of Madness explores both the culture these rich offerings fomented and the asylum’s place in the fabric of nineteenth-century life, reanimating a time when the treatment of the insane was a central topic in debates over democracy, freedom, and modernity. Benjamin Reiss explores the creative lives of patients and the cultural demands of their doctors. Their frequently clashing views turned practically all of American culture—from blackface minstrel shows to the works of William Shakespeare—into a battlefield in the war on insanity. Reiss also shows how asylums touched the lives and shaped the writing of key figures, such as Emerson and Poe, who viewed the system alternately as the fulfillment of a democratic ideal and as a kind of medical enslavement. Without neglecting this troubling contradiction, Theaters of Madness prompts us to reflect on what our society can learn from a generation that urgently and creatively tried to solve the problem of mental illness.

The annual NCAA Basketball Tournament, which has become known as “March Madness” has emerged as a major sports event, matched only by the Super Bowl and the Olympics. In Madness, Mark Mehler and Charles Paikert tell the stories behind the ten most compelling and memorable championship games in tournament history, from North Carolina’s triple-overtime victory over Wilt Chamberlain’s Kansas Wildcats in 1957 to Duke’s heart stopping victory over underdog Butler in 2010. As a bonus, five more games that just missed the cut are also examined. Madness goes beyond the games to tell the the backstories of these classics, each entirely unique unto itself. For example, Jim Valvano taking his impossible dream of a national title and making it come true for the 1983 North Carolina State Wolfpack; Rollie Massimino turning spaghetti and clam sauce into inspiration for his underachieving 1985 Villanova team; and Magic Johnson and Larry Bird, breaking down in tears while taking a Broadway curtain call in front of a wildly-applauding audience who two hours earlier didn't know who these two guys were decades after their head-to-head matchup in 1979. Some of these stories also resonate far beyond the basketball court, including the 1966 triumph by the Texas Western Miners, which helped chisel away the college basketball color line and stamped their victory as "Glory Road." Over sixty years of college basketball history is brought to life in this must-have for all basketball fans.